“Blood Canticle”—Anne Rice
I love Lestat. I love Anne Rice. I’m not too crazy
about the Mayfair witches, especially Rowan and Mona, so having them show up in
this volume of The Vampire Chronicles was going to be a challenge, but I
was willing to give it a whirl.
Parts of it were dazzling. She will never lose her
ability to mesmerize with written imagery. I think I even got the point of the
story—Lestat longs to be a saint; he wants to do good though he believes he is
eternally damned, so he sets out to solve a mystery for a pair of mortal
witches—but the end result was more crazy quilt than polished brocade.
It helps to like the characters, and I don’t like the
two Mayfairs who showed up here. I don’t get why Lestat insists on making a
vampire of everyone he loves when a) he always ends up alone and b) their
mortality is what attracts him in the first place. He does it over and over,
and it always backfires on him. He’s young in vampire years, but really? I’m
way younger than he is and I’ve figured it out. But why he felt so passionately
for one mortal in this story absolutely escapes me, as I saw nothing remotely
lovable about her and he didn’t explain it. He was simply, suddenly, obsessed
and in love. That relationship didn’t fit within the story, either; it was more
of a distraction, an annoying buzz that popped up during a lull in the action,
and culminating in a final chapter that meant pretty well nothing so far as I
could tell.
Then there’s the haunting—he’s plagued by the Mayfair
patriarch’s ghost, who resents Lestat stealing the favoured daughter from the
light, but again, that relationship didn’t work for me. It made too little
sense. I couldn’t figure out how he appeased the spirit enough to make him go
away, so it either wasn’t explained very well or I didn’t care enough to carry
it with me when I wasn’t actually reading.
I like a story that stays with me between bouts.
It’s painful to admit. I didn’t get it, so I didn’t
feel it, and that made me an indifferent reader. Whether a book is good or bad
is completely subjective, that’s why I place little value on critical reviews.
I will rave about a book that inspires me, however, and adhere—or try—to the
adage about saying nothing if you can’t say something positive. I’ll wear the
fact that I missed the author’s vision in this instance, but the greater angst
lies in my having once understood and adored her work. Honestly, her earlier
novels are magical. Her later ones harbour diamonds in the prose, but the
stories are less coherent, more chaotic and peopled with characters in
relationships that I find hard to swallow. Blood Canticle,
unfortunately, almost choked me.
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