Sunday, 2 July 2017

Nice Going, Einstein


How disappointing—and yet I don’t know if my disappointment is with the show or with myself, for not knowing better.

No, I knew better. Give a guy like David Lynch eighteen hours of airtime on premium cable and you’re a fool not to expect lengthy bouts of directorial self-indulgence ... but episode seven of the current Twin Peaks amounted to a solid hour of my life that I will never get back. Disturbing, art house imagery, discordant audio and no visible connection to the greater plot (which is pushing for coherence as it is) had Ter and me agreeing—reluctantly, on my part—to quit before we waste any more of our time. We are huge fans of the original series and anticipated the next one like a pair of little kids anticipating Christmas. I was prepared to allow for some alternate reality nonsense given the source, but last week’s offering was just-plain-stupid.

Truly disappointing.

On the other hand, the National Geographic channel’s showing of Genius—based on a book about the life of Albert Einstein—was, well, genius. I hoped it might be, as it starred Oscar winners and was produced by Imagine Entertainment (Ron Howard and Brian Grazer); a combo that rarely misses the mark. No disappointment here! Ten episodes of brilliantly written, expertly acted and perfectly produced television, most of which I could follow despite the science not being dumbed down for the casual observer. Geoffrey Rush was splendid as Einstein in his later years, as was Johnny Flynn as the physicist in his youth, but the character I felt most for was his first wife, Mileva, a scientist in her own right who was sacrificed by the time in which she lived. Bravely played by Samantha Colley, she was absolutely wrenching to watch.

The story alone is interesting enough, but could have been ruined in the wrong hands. The complexity of Einstein’s mind, his obsession with science and his inability to relate with his family, set against the rise of Nazi Germany and the US investigation into un-American activity, was laid out in gorgeous detail, right down to the spacey special effects used to aid us in seeing what he saw during his theoretical “a-ha” moments. The dialogue was intense (the physics jokes were actually funny) and the politics of war made a full colour backdrop for the drama of real life relationships. The science was integral, but not the star. Gads, the series surpassed my expectations by as much or more than Twin Peaks fell short.

Genius is in the eye of the beholder.

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