Wednesday, 25 September 2013

Writer's Conundrum



A Scribe’s Skirmish

writer’s conflict

the impossibility
of writing with

magnificence

contrasted with
the impossibility
 
of
 
abandoning
the challenge

writer’s conundrum

            © Nicole D. Myers 2013


What do you do when neither version is working? You dump the whole project. Except that there is something in a writer’s makeup that refuses to quit.

My personal poet laureate, the exceptional Nicole D. Myers, wrote this poem a few weeks—yes, weeks—ago, and has kindly given her consent for me to share it here. I asked because dang if she didn’t nail the universal quandary square on the coconut. I loved the poem from the get-go (it’s posted on my office bulletin board) and came face to face with an example of “the conundrum” last weekend.

The angel story isn’t working. Shifting perspective temporarily fooled me into believing otherwise, but as Ter observed following my latest grouchy rant, I have emerged from my room unhappy and dissatisfied each time I’ve tangled with it. She recommended that I bag it for the nonce, adding that I can always go back to it when the time is right. The story is good. It’s just not meant to happen right now. So I skulked back to my room, opened chapter 18 of my stalled Castasian novel, and actually finished it (the chapter, not the novel). At least I worked on something, even if it evolved from admitting defeat on another count.

Only admitting defeat does not come easily to this writer. While I was distracted with the tale of Reijo and Jannika that afternoon, the other part of my brain was pondering the problem with Cristal and Shade. It is a good story. Why the %^$#*&^ isn’t it effing working????

The answer came, as usual, at bedtime.

It’s not one story. It’s actually two. Two different freaking stories about angels. This explains why Cristal and Shade in her version are completely different from Cristal and Shade in his version. I mean it. The characters in one POV (point of view) are polar opposites of the characters in the other, hence my garment-rending angst over getting anywhere. Clearly I have four characters using two names. I’ll fix that forthwith, but the relief I felt at discovering the potential for a whole new pair of stories set in this angelic realm was akin to the relief of discovering that the headache you’ve endured for weeks is finally gone.

The impossibility of writing either with magnificence remains. Okay, so does the challenge of crafting two separate stories when I’d anticipated a single piece. If there’s any good news here, it’s that I have a whole new world in which to play ... assuming I can relax enough to accept what comes when it comes and quit forcing it when it won’t.

Writer’s conundrum indeed.

Monday, 23 September 2013

The Importance of Tea (Part VI)


“Safetea”



The first day of autumn blew in on a strong wind complete with rain and a stormy sea. It also coincided with the Tour de Victoria, which happened to roll past my window en route, one hopes, to someplace warm and dry. At midday it occurred to me that I was missing an opportunity to see a bunch of crazy people cycle by, so I carried my tea tumbler full of Persian Apple to the Ocean Room and settled on the sofa to watch the race for a bit.

I love wild water. The sea at its feistiest is a momentous sight. Grey-green waves laced with foam, pounding the beach right across the street. Rain coming sideways, driven by the same wind that has the trees dancing to its music. Part of me yearns to go out in it, to experience firsthand the smells, the sounds, the sights of Nature doing her darndest to remind us that, ultimately, she rules and we’ll just have to work with it.

Problem is, much as I long to stand in the teeth of it, those teeth are cold, wet and sharp. Only a fool would willingly succumb to that longing. Or, in the case of racing cyclists, a number of fools.

Nope, a sensible person curls up in a warm room with a steady supply of tea on the steep and watches the show from a safe haven.

Yes, I am immensely grateful that I have that warm, safe haven. I can afford to rhapsodize about stormy weather because I have the good fortune to be sheltered from it.

The vibe indoors was no doubt influenced by the energy outdoors; I had real trouble wanting to write, let alone knowing what to write. I spent most of the morning reading over things, trying to get a bead on something that would trickle into flow. I get rattled and restless when the wind is up – a reminder that I, too, am a creature of Nature and susceptible to the same energy patterns as everything else on the planet. It’s a harder fight on that sort of day, to be content, to be creative, even to be optimistic. So it was good for me to take my tea into the OR and observe the conditions from a happy place. It made me grateful and even a bit creative, ’cause that’s when I saw the paradox of heinous outside, peaceful inside, and the importance of tea in the situation. I grabbed the Canon, set up the shot and hit the button.

Instant post.

Life is good.

Saturday, 21 September 2013

Twins Ten Years Apart

Mum holds the bairn while a diligent older brother looks on - 1964

Most boys probably want a bicycle for their tenth birthday. A bike or hockey equipment or airplane models or some other boyish-type nod to their boyishness, especially when one already has a younger brother and two little sisters.

When he turned ten, my older older brother got a baby sister. In truth, we all got her, but for him, as good a soul as he is, it would be fair to imagine he was a little dismayed. Until that day, September 21 had belonged solely to him. From 1963 onward, his birthday was a shared event.

It was also closure, in a way. My parents started their family on September 21, 1953, and finished production exactly ten years later – a notable credit to my mother’s organizational skills. Five kids in ten years. Nice and neat and tidy, unless you count the log jam with my older sibs, who were born within four years of each other and were known collectively by my wee sister and me as “the Big Guys”. I shudder to think how they referred to us when the parents weren’t looking. Managing a litter takes some doing, but Mum and Dad pulled it off like professionals. Sure, we indulged in the usual sibling scraps, vying for position and attention within the pack, but to this day, whenever we see each other and no matter how much time has passed since the last meeting, we always embrace warmly and pick up right where we left off. There is great affection among the kids in our clan.

But back to the ten year twins.

Today, my wee sister turns 50. That means my older older brother is 60. She is here on the west coast. He lives on Prince Edward Island. When we all lived in the same house, he was the best older older brother in the world and she was … well, she was “the bairn” and 50 years later, she still is. I’m less sure how she feels about that than how my folks must feel knowing their youngest is now a half-century old and their firstborn is this close to qualifying for CPP. Physical age means nothing, though, except when the aches and pains set in: get the gang in the same room at the same time and we fall into line in the order in which we were born. He has four younger siblings and she has four older siblings. The three in between love them both from different vantage points, but I’m pretty sure we’re all glad we have them.

I know I am.

“Four Legs and a Tale (Part VI)”



      Mine.
The word beats in time with his heart.
Mine mine mine
Why can’t I remember?
The children’s mother has stayed at the cave. She sits with her son, watching Sian test his injured leg by pacing circles around the fire. Joel’s head swivels as the manhorse passes behind him, but his mother waits for him to reappear in her line of sight. Her eyes follow him, moving from right to left, her face motionless, until he disappears to become a series of footsteps at her back. After a few rounds, Joel motions for Sian to change direction. The far hind bears up well enough; better than it has since the arrow first struck. He also feels more comfortable with all four legs though he still expects to see boots when he looks down at his feet.
Boots? Yes, boots. If he closes his eyes and tips his head forward, he can see them: soft doeskin boots, worn and supple in the style of a favourite pair. And leathers, equally worn and supple, snug inside the boots at the knee. My knee. My legs. A man’s legs. A man, not a horse. Not a horse!
A strangled moan rouses him. His eyes open and the boots vanish. The leathers and legs vanish. He stares down at smooth pale hooves and listens to the heavy thudding of his heart.
Mine mine mine
Joel’s mother watches. She is solemn and silent … knowing. Sian can’t name why he believes it of her, but he does believe it. She knows him as the boy Kev knows him, but while Kev has run from the knowledge, the Lirosi woman is thinking. Pondering. Assessing.
Sian steps toward her. His intent is more apparent to Joel than to him, for the boy promptly jumps up and roars in his face. The tactic works; Sian rears back on his haunches and retreats to the far side of the fire, where he wheels in small circles while attempting to gather his thoughts. He didn’t mean to threaten her—did he?
“My son has no faith in manor dwellers.”
Sian stops his restless pacing and lifts his head. Joel is gone and his mother has risen to her feet. Hers is the voice that came like a velvet caress from across the cave. She smiles at his bewilderment. It is not a particularly pleasant smile. He makes himself stand firm against it, against the distaste in her tone when she explains that the oppressed must learn to communicate with their oppressors. She speaks with an accent that makes poetry of harsh words. He is as much lulled by the music as distressed by the lyric.
“Have I oppressed you?” he asks, genuinely dismayed.
She studies him with her dark, omniscient eyes. That she mistrusts him is obvious, yet she is capable of compassion else she would not have tended his hurt. “No,” she says, slowly. “You have not.”
He steps forward, eagerly. “Then you know me? You know who I am?”
“I do not know you myself. I can only guess.”
“Then guess.”
She smiles again. Though this one is less unpleasant, he is yet chilled by it. “There is one who can say for sure.”
“Who?”
“The one who magicked the arrow that wounded you. The one who shot the arrow … the one who made you.”
Sian takes another step. “Do you know him?”
“Your answer dwells at the manor, not with me or my children. If you go tonight, I will not betray you. Be here in the morning, and you may live to regret it.” She retrieves her bag and walks to the cave entrance. Sian lunges after her, reaching with his hands. She whirls, her eyes flashing, before he can grab her. “Your wish, my lord?”
Lord? He lowers his hands, baffled and hurt that she has misperceived his intention. “I only wish to thank you for your kindness. Your children, too. Without them, I would be in far worse despair.”
She runs a meaningful gaze over his legs, back and quarters. “My people have an innate love of horses. The children will do all they can when they find one in despair.”
Yet Roanne held his hand while he was being stitched, and he had felt Joel stroking his hair during the fever sleep. They have each responded to the man as much as the horse. They have befriended him, fed him, sheltered and cared for him … Roanne has even named him prince in her native tongue. “They see me as I am,” he declares, defiantly enough to coax a cynical smile from their mother.
“Did they speak to you?”
“They did.” With gestures and a few indistinct sounds that he had deciphered with repetition.
Their mother knows better. “Do you wonder why the children of parents who have learned your language do not speak to you in your own tongue? They have refused to learn it for themselves. My son will not bow to it, and my daughter will not be seduced by it. If they show you kindness, it is because they are kindness itself. I will not have them tainted like the arrowhead that struck you.”
Sian nods once, respectfully. There seems no point in saying anything more. 

* * *

 It’s getting late but Roanne insists on walking Kev as far as the orchard. The boy is so badly shaken that his teeth chatter in the silence and she fears he might get lost beyond familiar landmarks. She would take him to the house proper except that she’ll be expected at home for supper and she must stop at the cave before then.
Lord Derrick’s younger brother. She knows that the lord has a brother, but she spends so little time at the manor that she’s never seen him. Kev says his name is Blais and he’s years younger than Lord Derrick—the last child of older parents and thus more indulged than his brother. “The resentful firstborn and the spoiled baby—you can imagine how well they got along,” Kev says. He sighs, frowns, and stops talking.
Roanne prods him. “ ‘Got’?”
“Blais left the manor after a huge big row with his brother that almost came to blows. Apparently,” Kev hastily adds. “I wasn’t there. I heard it from someone who knows the maid who was sweeping the hearth in the next room. Lord Derrick was in a rage so cold that the ashes in the grate turned to ice crystals, she says.”
“What was the row about?”
“Lady Alarice, of course.”
Roanne is quiet, reflecting on her last sighting of the lord’s lady. It was during the spring progress, when the noble couple rode through the land, stopping at villages to grant favours and pardon indiscretions. The children in the Lirosi encampment had strung along the roadside to watch them go by. The bannered escort had come first, garbed in livery of green and gray, mounted on dark horses. The lord and his lady had followed, riding side by side on their matched blacks. Their heads had been high, their shoulders straight and their eyes fixed front despite the ragged applause from the onlookers they passed. Joel had narrowed his eyes and clenched his fists, muttering, “They could at least look,” under his breath. Roanne had laughed—too loudly, as it happened. Lady Alarice had turned in her saddle and seen the scruffy little girl standing barefoot in the dirt. Her eyes, a soft, liquid brown, had hardened along with her face, and she had begun to turn her horse toward the child. Lord Derrick had grabbed her mount’s bridle and hauled the animal back into line, but not before Roanne had been seized by a queer woozy sense of dread. Lady Alarice hated her; she knew it though Joel had dismissed her by saying that Lady Alarice hated all Lirosi. “Lord Derrick likes us better,” he’d scoffed, “and he sets leg traps to stop us hunting in our own woods.”
“She doesn’t hate the Lirosi,” Kev says now, offended on his lady’s behalf. “I told you, she’s miserable with her husband.”
“So she hates everybody?” Roanne is skeptical, remembering the lovely face growing taut atop its bones and an errant lock of pale hair slipping from the lady’s hood. The memory alone makes her woozy again.
“I guess she didn’t hate Lord Derrick’s brother,” Kev remarks, sloughing through leaves of red, yellow and brown. His foot finds an apple and sends it flying into the dusk. An indignant yelp follows a wet splunk and Joel emerges from the trees, pawing irritably at a fresh stain on his tunic.
“Good shot,” Roanne commends Kev, who beams.
Joel scowls. “Mam sent me to fetch you home, Roanne.”
“You go,” Kev tells her. “I can make it from here.” He waits with her, though, while Joel moves soundlessly toward them. Kev is reluctantly impressed. “How do you walk so quietly?”
“I’m Lirosi,” Joel replies in a tone that adds, stupid.
Roanne rebukes her brother. “He’s not that stupid if he can learn Lirosi just by listening.”
Joel makes a face but has no argument. His sister is right. Kev has learned the natives’ tongue and respects them enough to use it in conversation with them; that’s why he’s been made welcome when others of his kind are shunned.
He stands sullenly silent as Kev takes his leave. Then he says to Roanne, “I think he loves you.”
She laughs as if it’s a joke, but Joel can tell that she’s hopeful. She turns shy and girlish on the way home, her eyes misty with dreaming as she idly kicks at the leaves.
 

To be continued …


copyright 2013 Ruth R. Greig

Friday, 20 September 2013

Full Moon Follies

Moonrise September 19, 2013

Every time things go pear-shaped, I check the calendar to discover that the moon is invariably full. This week was no exception. It culminated on Wednesday, when my world seemed so dark and distorted that I almost closed my office door to isolate myself from potential murder victims.

I got through the day by telling myself that the day was neither longer nor shorter than any other day and it too would pass. That said, I retired to bed at 8:00 with a massive headache and hope for a better tomorrow.

It worked. I woke feeling more stable, had a pretty good day yesterday, and when the sun went down, an opportunity to try some night shots with the Canon appeared in the swollen form of September’s full moon:









Playing with the camera settings to get these shots was fun, but truly, the best pictures were seen with the naked eye.
 
Today is my day off – gee, wonder if that had anything to do with my mood improving?? – and the moon is on the wane. The sunrise this morning was glorious, blue sky streaked with cotton candy ribbons and melting gold light pouring through the Ocean Room windows. No photos; I was still in my jammies while Ter got ready for work.

I plan to work with Shade some more, but I’m a little intimidated by an unforeseen twist in his story. It revealed itself this week and while it appears plausible, my job is to make it so. The trouble is that I know about it, but he doesn’t. Keeping the character ignorant for the duration is tricky because I can’t let it leak into the narration. It’s like discovering a shattering secret, dying to tell everyone, but being unable to tell anyone. My left brain has seized on the secrecy factor and is screwing with my creative function as a result: You can’t write that or That won’t work or What’s on HBO this morning?

Well, the best defence is a good offense, so I’d better go get offensive.

Happy Friday!

Wednesday, 18 September 2013

Everybody into the Pool!


"I get Voracek if you get Giroux"

Monday, September 16, 2013:

San Jose 3/Vancouver 2 - snicker
Philadelphia 3/Toronto 2 (S/O) – sigh
Washington 4/Philadelphia 3 (S/O) – what the???

The NHL games may only be exhibition for the next two weeks, but I’ll take em. Sort of. Ter and I watched the Canucks host (and lose to) the Sharks on Monday because we live in BC and are held hostage by the network assumption that all BC residents are Vancouver fans. I go with that because I like specific Canucks, just not the team as a whole.

Speaking of wholes (we’ll get to “holes”, as in the digging of same, during the regular season), Philly has bought enough talent to send two teams into separate rings and still cancel themselves out by winning one game and losing the other in a pair of shootouts. Here we go. Shootouts are fun, but they’re also a cheat. If you can’t win in regulation, then you should get nothing. If the game is tied after 60 minutes, split two points between the teams and move on. Something in me fears that shootouts teach the players that they have 65 minutes to get to the lottery and win on a lucky shot. It’s like handing out participant ribbons in the peewee league – makes the boys feel like they contributed even when they lose. That’s fine for six year olds on an allowance, but professional millionaires should be mature enough to suck it up ... like the fans do!

I miss old time hockey.

I know, I know. Time enough for whining after October 3. The office poolies have begun making noise about the season starting and I received an email on Monday from pickuphockey.com to advise that the online pool manager is now available. Nice of them to notify me, but I didn’t win the pool last year, grumble grumble. The guy who did will be managing this year’s, so while I await word on the office draft, I must wrest the Hockey Pool Guide from the bears and pick my 2013/14 dream team.

Maybe this year I’ll score Claude Giroux before a rackinfrackin Maple Leaf fan can nab him ...

Monday, 16 September 2013

Romantique, Moi?



I sneer at romance. Chick flicks make me nauseous. Lusty males and swooning heroines send my eyes rolling heavenward. Pink hearts and bridal shows give me migraines. I dunno. Maybe itʼs my Virgoan hardwiring, but what many folk – particularly women – call romantic is what I call cause for a diabetic coma. Kill me now.

So, if I am so adverse to romance, how is it that last Sunday, when Will McAvoy chased down Mackenzie McHale during an election night newscast and clumsily asked her to marry him, I damn near burst into tears? Once I dried up, I had to think about that. Maybe I have been mistaken about romance.

It isnʼt about new love or young love or even strangers exchanging glances across a crowded room. For me, romance is the reward of a punishing struggle to overcome hurt, of lovers who fall out of each otherʼs arms and find their way back again. Romance is an elderly couple holding hands as they walk across the mall parking lot. Romance is the reunion of those parted by war or misadventure or misunderstanding. It is deep and passionate and painful and gorgeous and triumphant and enduring. It is not fluffy or silly or a comedy of errors. Romance is seriously potent stuff. It deserves respect because it overcomes. It surpasses honeymoons and arranged marriages to become something rich and pulsating and radiant. Romance is epic. Legendary. Unstoppable.

True romance is also on the endangered species list because these days love is disposable. Too few couples make the effort anymore. I recall a saying from years ago – I donʼt remember who said it: Love never dies from natural causes.

I am almost always working with lovers in my writing. Julian is my most romantic character, but my most romantic lovers are probably Lucius and Analise. Theirs is the eternally flaming passion that will not die because it has survived loss, conflict, separation and a somewhat volatile reunion. Romance is not for the faint of heart. Romance in its truest form takes time to reach its full potential.

Sometimes, it takes a recovery from the blow that shatters it. Will and Mac were broken for years, but they never stopped loving each other. They cannot go back, but they can certainly go forward. And if itʼs right, if it is a true romance, they will emerge the stronger for it.

But Iʼm not a romantic. Honest.