Thursday, 17 September 2020

This Radiant World

 

I read “Station Eleven” again this past spring. Given current circumstances, it seemed even more relevant than it did when I read it the first two times. Before I began this post, I revisited Bibliography 7 to remind myself of my initial impression of the book and was struck by my closing thought:

Will we create something better the next time? Or will we just want to go home?

Having lived with the threat of COVID-19 for the past six months, I’m afraid I have my answer.

Granted, watching the news is not the best way to feel good about human nature. Too many stories involve vandalized cars bearing out-of-province plates, or claims that mandatory wearing of masks on the bus is a human rights violation, or crowds of young ’uns flagrantly defying the rules meant to keep everyone safe. Fear-and-anger-mongering keeps the media solvent, after all. There is no money in keeping people calm unless you’re in the pharmaceutical industry.

I’m not afraid of the virus, myself. I follow the guidelines and respect the rules, but I’ll tell you, after six months, I’ve had enough. I am done with novelty face masks and working from home. I hate online shopping. I miss bacon cheeseburgers and Vietnamese noodles. I want to expand my bubble and get to know my neighbours. I want to browse in a bookstore. I want to explore my neighbourhood, to become a regular at Guido’s café and share a bench at the park. I want to have a conversation while standing in line. I want to see James Bond at the theatre in November. I want hockey in winter.

Bugger a brave new world. It appears that I want to go home.

But it ain’t over yet. And until it is, there is a line in the novel that resonates each time I read it, a line that encompasses everything about this life and the stage on which it is played. I have carried it with me since the very first reading, and though it hasn’t become a meme (gods forbid it ever does), it surfaces in singular moments.

One morning of late, I stepped onto the balcony after the sprinklers had stopped watering the lawn. It’s a lovely stretch of grass flanked by cedar hedges and dotted with magnolia and apple trees, with flowerbeds and a birdbath where the crows tend to bully the songbirds on a hot day. I’ve seen a raccoon stretching up for a drink, a deer resting in the shade, a squirrel cleaning its fur by wriggling in the dirt. Each of those occasions was a gift, but on this particular morning, the lawn was empty. I stood barefoot in a patch of sun, the floor warm beneath my feet, and I noticed that the tree by the birdbath was glistening. The water from the sprinklers lay thick on the leaves, sparkling like diamonds scattered over the green. It was so beautiful that I fetched the Canon with no hope of capturing the true glory of the shot. I initially called it “jewel tree”, until the line from “Station Eleven” reminded me of the tiny miracles in everyday life if I open my eyes to see them:

This radiant world.

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