Words, Words, Words

 

My parents always had a stack of books on the hob. One of my earliest birthday presents (my fifth or sixth, I think) was a hard cover book, the first in a series aimed at kids that I collected avidly over the next few years. School libraries kept me entertained with the “Henry and Beezus” novels by Beverly Cleary and horse stories galore by Marguerite Henry and Walter Farley. I was so obsessed with horses, in fact, that my first crack at writing a novel myself (at age twelve) was about a girl and a wild horse. Not surprisingly, it was never finished.

I read a bunch of other things at the same time – “Rosemary’s Baby” and “The Exorcist” spring to mind (where were Mum and Dad??) – then I tripped into my teens and discovered historical fiction. As my genre identity developed, bodice rippers shared shelf space with classic tales of kings and queens. A copy of Kathleen Winsor’s “Forever Amber” yet resides in my home library, along with Jean Plaidy’s Charles II trilogy and Dorothy Dunnett’s six-volume “Lymond Chronicle”. Lymond in particular was a coup for sixteen-year-old me, given the thickness of each volume and the tiny print on every page. But, man, it was a compelling ride from my perennial place on the sofa. It’s definitely a repeat read.

Reading it then probably saved my sanity in the daily struggle with my bones.

Sometimes I overreached. As a teenager in the 1970s, I wasn’t sophisticated enough to know that an author named Taylor Caldwell was actually a woman, but because “The Arm and the Darkness” had musketeers on the cover, I bought it in paperback and sat down to read.

I started but didn’t finish it. I’m not sure why; I think the subject was heavier than expected for the space I was in at the time. When I evolved to where I might have been able to sift the story from the excessive wordage, my focus had shifted from swashbucklers to night crawlers thanks to my older sister’s copy of “Interview with the Vampire”. From there, science fiction and fantasy pretty well owned me, though I maintain a deep and abiding love for the seventeenth century.

Yep, I’ve read a lot of books in my life. Lately, though, I’ve made a conscious effort to try new things, and I have discovered jewels in Indigenous and mainstream literature. Conversely, I’m equally inclined to revisit old favourites. Amazon may be an evil entity trying to swallow the world, but it’s also provided a means by which I can explore other worlds without leaving the house. In a COVID environment, it’s a handy tool. Handier still is the Kindle that allows me to read in bed without concussing myself when the book falls forward. Anyway, one night while pondering where to search next, I wondered if Taylor Caldwell was still in print. I remembered the book I couldn’t finish and wondered if I could grasp the story now. I did the search, and darned if “The Arm and the Darkness” isn’t available in a Kindle edition.

So I bought it. Downloaded it. Whatever.

It’s still a wordy read. It’s written in the style of the old masters—Dumas and Cervantes and their contemporaries—so I have to wade through a ton of narrative to find the plot itself, but at least I’m old enough to understand what’s happening and why. A lot of it escaped me the first time. Truth, the style is too cumbersome, though I see now how it might have influenced my own tendency to overwrite—a tendency, might I add, that I’ve tried to change over the years. I also must have read more of it than I thought the first time; a lot of it is familiar though the nuances are definitely easier to espy. I have just reached the point where memory fails and am moving into deeper water. The adventure I had anticipated as a teenager appears to be more of a cerebral treatise on religion and the social hierarchy—but I am finally old enough to get the point.

Took me a while, eh?