I’ve discovered a trick to keep Diva from becoming a full-fledged
writing project.
Okay, a couple of tricks. One, I write one scene over a series of twenty
minute bursts, picking up where I left off and blasting things onto the screen
as they occur to me so I end up with a longer-than-normal exercise that is, in
fact, more than one exercise. It’s sorta kinda working in one instance, but I’m
not completely happy with the method because I still hang up on detail. The
longer a scene becomes, the harder it is to keep it raw and fluid—I’m working
on a resolution, but that’s what happens at present.
Trick number two is to take twenty minutes and write a
scene-within-a-scene. For instance, in Diva IX, where Dane and Ellie are
building their relationship, I was sorely tempted to expand on the dialogue,
which threatened (again) the spontaneous purpose of the exercise. So instead, I
marked my e-copy with an asterisk so I know where more detail is required. I’ll
transcribe the conversation or elaborate on the narrative in a different
exercise and drop them into the applicable scene when I start organizing the
parts into a greater whole. It’s like writing a patchwork quilt, I suppose,
creating a bunch of little works that will eventually form a larger one.
So where I was almost stalled, I’ve found a way to keep this particular
project—because who am I kidding? There’s a good story here—fun to write and
the momentum flowing.
More to come!
Diva is da BOMB. Please continue, thankyouverymuch.
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