Return to Castasia

“Enjoy your book,” Ter says, leaving the room to let me read a bit before I go to sleep.

What’s so strange about this, you ask?

I am reading my own book.

Re-reading, actually. I was inspired to revisit The Healing after a work colleague asked if I would take a look at the first few chapters of a fantasy novel she’s writing. I have great respect for this person, not only because she rocks at her finance desk job, but because she has published a bunch of books through real contracts with established publishers. She already identifies me as a capable employee. To have her recognize me as a fellow wordsmith—or at least someone who knows something about writing—was pretty darned cool.

You don’t entrust your fledgling child to just anyone.

After I sent her my review, she dropped by my office for our first real writer-to-writer conversation. We’ve scratched the subject on occasion, but because I respect her practice of keeping her writer’s life separate from her work life, we had never gotten into the meat of it. My effort with her manuscript proved more than she had hoped for—not knowing what I was doing, I did a complete line edit rather than a general overview—and our relationship seems to have shifted in a more comfortable direction as a result.

At the same time, I decided to take another look at The Healing, if for nothing else but to remind myself of how my own fantasy story started. Of course I’d write it differently now … but not by much. My style has evolved in the decade-plus since I finished the first draft. The story itself is good. The characters are complex and colourful. The magic is present but not overpowering—I recall GRRM saying that magic is like anchovies on a pizza: too much and the whole pie is ruined. Best of all, elements are present in The Healing that remained consistent and actually propelled the series forward in subsequent novels. I should be proud of that sucker; it’s a pretty good read, if not a little fatty in places. It’s actually fun to see that I could have cut a line or a paragraph, or even a scene, to make the flow move faster—then again, I always write what I want to read. In 2003, it seems I wanted to read something thick and sticky with detail. Nowadays, not so much.

And that’s okay. Like Treason before it, The Healing deserves better than two of five, so I’ll give it …