Monday 29 September 2014

Bibliography (Part 4)

“Life After Life” – Kate Atkinson



Finishing a fabulous read usually sees me wandering aimlessly while I a) digest it and b) try to imagine if what I read next can possibly engage me as deeply as its predecessor.

My mother gave me this book a while ago, but I had to finish with Cal before switching gears to read it. I like the crunching noise my mind makes when I exit one genre and plunge straight into another with nary a few days to ease the process.

Life After Life was a relief after Downfall, a softer, gentler read—yet no less horrifying in its depiction of war, specifically WWII—written in a genteel manner that paradoxically made the horrors more poignant and more palatable.

“Horrors” being life, death, and the repeat of same.

What if you could live the same life over and over until you get it right? The protagonist in this one—Ursula Todd—hits the reset button to experience the same life a dozen different ways, without a clear memory of how she lived it before, but armed with an innate knowledge of what to avoid or do differently in order to prolong it.

It’s a beautiful read. Whether or not  you accept the theory of reincarnation (which I do) in the manner Atkinson presents it (which I don’t), the sheer craftsmanship of the work makes it worthwhile. I’m completely engaged each time I open the book—I’m nearing the end and hope that Ursula finally gets a break from this recurring life because, quite frankly, if I had to do the same one over and over in hope of a different outcome, well … Einstein was right.

Life After Life is wonderfully written. It’s almost poetic, it’s so smoothly done. There are no real villains, or heroes, for that matter; it’s just a story about lives within a life and the human heart in all its conflict.

I’ll take more than a few days to reflect on this one when the reading is done.

Sunday 28 September 2014

Happy Feet



Be it sugar, chemicals, fatigue, or a combination of all three, my frame of mind has hung a little crooked this weekend. I woke up well enough this morning, but it didn’t take long for my mind to seize those 17 seconds and drive me to the brink of tears over unfounded fear and imagined obstacles. It’s nothing if not thorough in its anticipation of the worst.

Fortunately, Ter was on an even keel when I got up. We had our tea and a little discuss of plans for the day, then I had a tiny meltdown. She got me through it with sympathy and a reminder to set aside those prevalent thoughts of the car blowing up or my teeth falling out. Neither thing is likely to happen, and certainly not right at this moment, so let it go for now and stay focused on what’s real.

I love her for that. I love her for many things, actually, but her ability to steady me when I falter may be the most valuable commodity not on the market.

So, after being shored up, I chose these socks despite (or perhaps because of?) the fact that their flaming neon colours clash madly with my jeans and Def Leppard hoodie. Ter happened on me in the living room, and laughed out loud when she saw my feet on the coffee table. “I’m glad to see you wearing such cheerful socks,” she said.

“Yeah,” I replied, wriggling my toes, “they make me happy.”

And so does she.

Saturday 27 September 2014

“Love Scene”



The last thing Rikka did while preparing for bed was let down her hair. It neither tumbled nor cascaded, but dropped like weighted silk to unfurl at her waist. She had just removed the last pin when she heard crockery rattle behind her.
Osmo stood in the doorway with a tray in his hands. “I’ve brought tea, my dear.”
Rikka smiled so rarely that folk remembered specific occasions. Her twin brother could count on one hand how often she had done more than scowl at him. Her six children fared little better, but for Osmo, she smiled.
He set the tray on the table by the fire and raised his bushy brows at her.
“May I?”
She sat and presented her back to him. After a moment, she felt his hands in her hair, combing it through his fingers until it cloaked her shoulders in dark honey splendour. Then he wove a plait from it, and secured it with a ribbon pulled from the pocket of his robe. By the time he was finished, she had relaxed so much that she was almost leaning against him.
His hands rested on her shoulders. “Tea?”
“I’ll pour.”
“Nonsense.” He held her in place, gently. “You’re already seated.”
She stood up to look down at him. “Osmo, sit. I shall pour.”
Osmo never relented. He obliged, this time by claiming his customary chair. The ghost of his autumn cold rattled vaguely in his chest, and Rikka wondered how long it would be until his winter cold manifested. She was a fool to be afraid—no one ever died of a simple cold—but Osmo was prone to them and fear had been Rikka’s most constant friend throughout her life.
“Honey?”
“I think not.”
Reassured, she passed him a cup of their mutual favourite and poured one for herself. “How was your day?”
“The usual,” he replied, as usual. They did not speak of his work except when it took him from home, and that wouldn’t happen for a while now. Their middle son would accompany him on his next venture; Rikka had protested at first, convinced that their eldest was better suited to apprentice in his father’s field … and she had laughed when Osmo frankly observed that their eldest was likelier to get himself killed in that field.
Occasions when Rikka laughed were even less frequent than her smiles, yet Osmo could name more of them than everyone else combined.
She recounted, when he asked, the individual progress of their collective brood, during which Osmo nodded and sipped his tea, and bade her pause while he refilled their cups. Then he allayed each concern with a mild, “She’s young,” or “He’ll outgrow it,” or “I was much the same at that age.” Most amusing was a hapless, “Ye gods, he’s like your brother,” that should have vexed her, but instead ignited a reluctant pride.
“And you, my love?” he inquired at last. “How is it with my lioness?”
He never failed to reach the wounded part of her; the fragile, vulnerable heart of her. His tenderness mystified her, but it had also won the most elusive facet of what most folk considered a brittle and domineering character.
She trusted him.
“You know how it is with me,” she said.
“So I do. Tell me something I don’t know.”
It was a game they played. Osmo had learned to see what was on her mind, and to coax it from her when no one else cared to try. She was consulted daily on practical matters but very little else; even the children were more likely to confide in their father than in her, and while it stung, she did not blame them for it. They were only following her example.
He waited patiently for her answer. When it came, she directed it to the fireplace for fear of his face; his odd, owlish face with its bulbous eyes and beaky nose. It was a comfortable face, familiar in a way that defied her long ago wish for the envy of other girls. She had never lied to Osmo, but she had not always told him the truth. Tonight, the time had come, and she could not bear to watch while the weight of it struck. So she spoke to the flames instead.
“I was thinking this morning how you were not the man I would have wed …” the next words emerged in a frantic rush, “… but I am ever so glad that I did.”
Osmo was silent for so long that she finally risked a furtive glance and sat up straight at what she saw.
He was smiling. Round eyes and hooked nose aside, Osmo had a lovely smile. Rikka warmed in spite of herself; had he wished to retaliate and crush her, he would have met no resistance. But he smiled and shook his head, his wispy hair floating like feathers above his ears, and gave a little sigh that incited her to shame.
“Our marriage was arranged. Of course I was not the man you wanted.”
She was about to protest that she had not wanted any man, but that would have been a lie. She would have asked if he had wanted another woman, but that would have been an insult. She was the woman, if not the wife, Osmo had always wanted. Knowing so had made her own guilt more burdensome over the years.
“Can you forgive me?”
“Can you forgive yourself?”
“I hoped you would say there is nothing to forgive.”
“There isn’t, in my eyes. Why is there in yours? Have you been unfaithful to me?”
“Osmo!”
He chuckled and caught her hand to calm her. After a token hesitation, she let him. His humour was as odd as his face; she often missed the jest completely and she disliked being teased. He knew better, and she let him see it in the stern set of her jaw.
“Forgive me,” he requested mildly.
She melted like a honey loll in the rain. “How can I not?”
“Well then,” he said, setting aside his empty cup while keeping hold of her hand, “shall we to bed?”
She rose with him, standing almost a head taller with a good view of his shiny pink pate. They were a strange match, but an amiable one. He had loved her from the start, and she …
The past made no matter.
She loved him now.

Friday 26 September 2014

Love Scene (Preface)


Tomorrow’s writing exercise is my take on the phrase “love scene”. Love comes in so many varieties that if it was entered in a flower show, it would have a category all its own.

The most torrid examples come to mind: budding romance, blooming passion, deflowering the virgin. They take place in burnished candlelight or sultry shadow, in a grand sleigh bed or on a carpet of moss in the forest. I can’t get into love on the beach, though. Too practical. Sand in delicate places? Please.

That said, must a love scene feature lovers? The expectation is certainly there, aided and abetted by my tendency to write about, er, romance in as airbrushed-yet-intense detail as I can conjure. There’s magic in the moment when he finally kisses her, the music soars and the next time we see them, the sheets are trashed and the clothes are strewn across the floor. Now, that’s a love scene.

Imagine my surprise when, in considering my approach to the theme, a familiar character stepped up to have her say. I have worked with her for years, though never in a POV capacity. She may be the least romantic character in my vast collection of characters, but I have a special fondness for her, as I do for all the difficult ones, and so I have given her the moment.

Enjoy.

Thursday 25 September 2014

Changes


The most important thing I’ve learned of late is that change, while inevitable, is as natural as it is non-threatening. No matter what happens around me, I am safe and I am loved.

New neighbours downstairs? I’ll adapt (they’ve turned out to be wonderful, but we’ll see when the baby comes!)

New duties at the office? I can learn.

Car trouble? I’ll get through it.

Financial challenges? I’m richer than I think.

Hockey season? So far, the Flyers are in the playoffs.

Even the weather is misbehaving. I love the fall. It’s my favourite of the seasons, but this year it seems as confused as everything else, unable to shift smoothly from summer’s candy perfume and ice cream palette to the sharp scents and warm hues of autumn. I have no choice but to ride it out (and be grateful for the unexpectedly mild month we’ve enjoyed), but it’s unsettling.

And it’s not just me.

My professional peeps are going through stuff. One of my office buddies is going through bigger stuff. Family members are always dealing with all sorts of stuff. Stuff, stuff, stuff. I put the question, “What’s with all this stuff?” and the answer came back, “It’s life. It’s where we are. It’s the collective energy all around the world, the mix of love and hate, wealth and poverty, conflict and concession. It’s contrast.”

I need to reframe.

On the positive side, my niece is marrying her longtime sweetie (and he is a sweetie) in mid-October, my nephew and his wife are expecting a babe in April, Christmas is coming, and the Flyers are in the playoffs. I have a bunch of writing projects on the hob, not the usual single work in progress. How’s that for abundance? Speaking of which, I have that, too, in more ways than I can count, in love and support and laughter and health and ongoing employment with the potential for a wee pay raise once they untangle the resource issues at work … and the Flyers are in the playoffs.

I have Ter. And Nicole. And my parents and my sibs. And me. In spite of change swirling endlessly around me, I still have Ru.

Thanksgiving is a few weeks away. I’m suddenly so grateful that I fear I’ll peak before the stat holiday arrives—and that’s okay. I watched the first episode of Gotham and one line sprang out at me, a line delivered by a grown man to a little boy whose parents were killed in front of him, a line so guilelessly optimistic that it would have sounded trite if it hadn’t been so true:

There will be light.

Amen.

Tuesday 23 September 2014

A Turning Season


Fall arrived at 7:29 last night. I went downstairs at 7:15 and spent a few minutes in the garden, inhaling the last breath of summer. The air was muggy yet smelled of wood smoke, the quintessential autumn scent. The big mystery tree out back has been dropping leaves for weeks now, crispy brown things that crunch like potato chips beneath my feet, but the flowers persist in colourful defiance.

I still see roses in bloom. Not many, but most definitely roses. We have a painting by Trisha Romance called “September Rose”; I think of it every time I walk past a garden that smells of Turkish delight..

My whites have been retired, but the pastel tees are still in play. Normally, at this time of year, I’m either underdressed for the morning or overdressed for the afternoon and a jacket is worn on the way to work but draped over my arm on the way home. This month has been unseasonably warm for Victoria—which was good for my niece’s bridal shower last weekend. You need good weather for a garden party and, miraculously, the weather obliged in spades.

Can’t say the same for Calgary—they had 30 cms of snow the week after Labour Day. The grounds crew at Spruce Meadows barely managed to clear the ring in time for the annual Masters tournament; if Ter and I had considered driving out to see the horses this year, we’d have stroked out over the weather beforehand.

The forecast this week is unsettled. Fall is definitely elbowing summer aside, but summer is fighting it. I don’t know why. It’ll be back next year.

Won’t it?

Monday 22 September 2014

Insanity

crazy in four volumes

Einstein defined insanity as repeating the same action over and over while expecting a different result.

I am thissssss close to reviving a story I started when the Twin Towers were still standing. My manuscript shelf holds three and a half binders full of it. Two of the main characters appeared in a recent short story, and the mortal history of one—Darius Wolfe—is right now being unearthed via the voice of his eighteenth century bride.

Why are these characters reemerging now? I’ve written a ton of new characters over the years. Fixed Fire bumped this series off the map and cruised into 6.5 volumes before stalling on Reijo’s romance (aaaaarrrrggghhhh). I wrote three FF novellas. I have played with angels, centaurs, and hit men. I even have a couple of other FF novels in mind. Lots to write, little time to write it. Right?

Here’s the thing. Every time I reread the urban vampire series, I think, yep, it needs work, but it’s good. Damn good. Pretty damn good, in fact. This might even be the one that cracks the market.

Okay, maybe not the last. I write, after all, for myself and not the market. I had finished with Julian in the nineteenth century and wondered if I could write something less Anne Rice-ish and more Laurell Hamilton-ish. I loved Hamilton’s Anita Blake series to the end of Obsidian Butterfly; after that, regrettably, it got too pornographic even for me. It was my first urban fantasy read and it inspired me to write one of my own.

It doesn’t even have a title. I just call it “the Cassandra series”, like it’s an android model from the classic Star Trek episode I, Mudd. Cassandra is the voice, the main character, and more like me than anyone else I’ve written. It’s her story, told in her words, and as I’ve said, even I think it’s a goodie.

But it needs work. Big work.

While writing Calista’s story—and the similarity of female names has not escaped me—I’ve been pondering how/where to begin reworking Cassandra’s story. The sheer volume of work involved is daunting and I doubt it will be much fun. I look at the first chapter and can’t see how to write the scene differently, but the scene must definitely be rewritten.

Then a little voice said to me, “Blow it up and start again.”

What?

“Blow it up and start again. You know the characters intimately. You know the plot by heart. 
The rest is scenery. Blow it up and start again.”

Holy $***. I can do that. It’s true. I do know the characters intimately. I know their relationships and how they work (or don’t work). I know the premise, the plot, the outcome. I’ve been fretting about reworking the whole thing, but the guts are fine. All the things that I like about it have not changed in fifteen years. It’s the same story; I am simply free to tell it a new way. A better way. It will be better because I’m a better writer. My style is more mature, more refined, than it was all those years ago. I can give these characters life with a capital “L”.

And isn’t it funny that the Faulkner quote has so recently come to my attention?

It’s the people, the human heart in all its conflicted glory, that make a story. Not the setting, not the timing, not the exterior finish. Those things, I can change. The rest must be left as is.

So, with that in mind … BOOM!

Saturday 20 September 2014

Starting Lines

from "Lord Valentine's Castle", 1979, by Robert Silverberg

The first line is always a killer. It has to be a killer to capture a reader, but can often be the death of the writer struggling to come up with it. Sometimes, like the occasional title, it comes ahead of everything else. Even if it comes easily, it often changes once I get rolling. It happens with blog posts all the time.

One of my favourite opening lines was written by Robert Silverberg to begin Lord Valentine’s Castle. It yanked me into the book so fast that I was practically whiplashed. Aside from the story itself being a good read, I learned a lot from the author as a result of that first line. It opened me up to the world of fantasy; without Silverberg, I might have missed GRRM and thus, perhaps, might never have taken my own crack at it so many years later. More importantly, it confirmed that no matter what the setting, the characters make a story. It helped that Valentine was an amnesiac. Right away, I was compelled to find out who he was and what had happened to him, but if not for that first line …

Joe Abercrombie (author of Best Served Cold, among countless other fantasy novels) made me laugh out loud when he was asked to name the hardest part of writing. “That bit between the first line and the last line,” he said.

Amen, brother.

Friday 19 September 2014

Mood Music


My twice-weekly writing nights have been sporadically successful. Tuesdays seem to have settled into the schedule, but the second night has bounced around between Wednesday and Thursday. I had back-to-back nights this week, but only wrote on Tuesday. On Wednesday, I read an old short story to generate some momentum for today.

Working in Calista’s world has awakened me to an “I-never-thought-of-that-before”. The story is a period piece, so you would think that music from the period would provide an appropriately inspiring soundtrack. I blew the dust off of Joseph Haydn’s Jagdmusiken disc, but it’s only gathered more dust in my writing room. Instead, I started with the soundtrack to Eyes Wide Shut—a film that I have never seen (and apparently haven’t missed). The album was bought purely on the strength of Chris Isaak’s “Baby Did a Bad Bad Thing”. The rest of it is creepy/weird yet happily fit perfectly for the beginning of this story. Two-thirds in, I’ve switched to Sade’s greatest hits.

Jazz for the late 18th century, you ask? All this time, I’ve unconsciously assumed that music sets the scene for what I am writing. Sometimes, that’s true. More often than not, however, when I look back at what I’ve written and what played as I wrote it, the music is geared toward a particular character. When I pull that character from modern day and plunk him into the past, the music stays the same. And why not?

My only modern day characters who have literally lived in the past are vampires, so it’s no stretch to write Darius Wolfe into a frock coat though I first wrote him wearing Bill Blass. He was developed in a present day setting, which called for a present day singer, so while it seems incongruous, I suppose it was natural to call on the same singer to support me while writing him in the past. The reverse is true of Julian, despite his original incarnation as a mortal rock star. Once he became my immortal beloved, Chopin was the prevalent aural accompaniment. Even when writing him in the present, it’s Chopin or bust.

Though he, too, is partial to jazz. And rock. And R&B. And pop. And maybe even some New Age. Julian is a musician first, a vampire second, and particularly nitpicky third. With him, I play what he wants me to play or he won’t play. Darius, on the other hand, was a born vampire; it just took him some time to make the physical change. I could probably play rap and he wouldn’t even twitch so long as I get the job done. He’s all about the end result.

Which is a huge relief actually, because he does enjoy opera. Not just the music, but the vocals. If he was as tyrannical about tuneage as Julian, I’d have quit working for him long ago.

Did I say “for” him? I meant “with”…

Wednesday 17 September 2014

Waxing Rhapsodic



On the subject of bones, I’ve recently been amused to hear of a spa treatment for softening one’s skin: the paraffin wax bath.

I’ve never been to a spa, but for years I had three wax baths a week—in physio at CARS. Before every session, I’d loosen up my finger joints by dipping my hands in a metal tub of warm wax (seven times, count to ten between dips). The therapist would then slip a plastic bag over each hand and wrap it in a towel, whereupon I’d sit for 20 minutes while the heat did its thing.

The wax smelled of the wintergreen oil they added to keep it from sticking to your skin. After about 10 minutes, the wax would cool and I’d start my ritual of trying to pull my fingers free while keeping the wax gloves intact. The cold wax was clammy and, I think, similar to what a baby must feel sitting in a wet nappy after the first warmth wears off. The wax gloves never survived; even if I’d been able to preserve the mold, once they were removed, the wax was either discarded or tossed back into the hopper to melt again.

My fingertips were always shriveled and to this day I cannot abide oil on my hands, but 40 years later, my skin is still ĂĽber-soft—to the wrists, anyway.

Tuesday 16 September 2014

Ocean Therapy



Looking at the ocean through my living room window, I remain amazed at my good fortune to have landed in this plum spot. People come from all over to walk/drive along the water and here I am right across from it.

For me, Dallas Road has long been synonymous with the moments “in between”, particularly when my arthritis was new and the then-CARS (Canadian Arthritis and Rheumatism Society) was housed in the Cook Street village. Three times a week, my mother would pick me up from school and take me to physio. After my treatment, I’d sometimes ask if we could drive home along Dallas Road. It was the longer route, but Mum often obliged.

To this day (if I’m not driving), I stare out the car window and remember those drives—moments of limbo when I didn’t think or worry or fear. I just watched for whitecaps on the waves.

I still do that. Now I can do it on my sofa with a cup of tea and silly jazz playing, but I acutely remember riding in the big blue Merc, being more intent on the colour of the sea than the state of my bones and, in some way, being grateful for that moment.

How precious those moments were.

And are.

Sunday 14 September 2014

The New Arrival


Our “no more bears” policy was waived this past week. The birthday box arrived from Nova Scotia, stuffed with goodies courtesy of Nicole and her discerning Ru sense—tea and a collection of Henry Miller’s writings on writing—and blinking up at me when I lifted the first layer of tissue was this little sweetheart.

She might have been a bit overwhelmed. Imagine, sitting in a shop on the east coast of Canada, then going home with Nicole (a desirable last stop for any critter), then being snugged up for shipping—a few days which I hope she spent hibernating—and waking up 6000 miles from where she started!

I plucked her from the box straightaway and cuddled her while inspecting the tea (samples from the Tea Brewery—the website is already bookmarked) and reading the card, then Ter scooped her so I could pore over Nic’s literary offering. As I flipped pages, pondering how Nic could possibly know of my longstanding joke about living my last days like Henry Miller (basically drunk and dissolute in Paris), Ter suddenly blurted: “Uh oh.”

I glanced up. “What?”

She looked sheepish. “I just kissed her nose.”

Uh oh, indeed. Not that Honey Been was destined for further travels, but once Ter has kissed a bear’s nose, that bear’s fate is sealed. Big or small, fluffy or fuzzy, polar or panda, a smooched bear is immediately assimilated into the collective. We gave Honey B a few days to get settled, then introduced her to Caesar, with whom she now resides in my writing room. Caesar is our senior bear, adopted circa 1990, and has been a bit lonely since he and Ter switched rooms last fall (see here).

He’s a big sweetie and she’s a little sweetie, so I think they’ll get along fine.


Thursday 11 September 2014

The Write Place



Gadzooks, it’s true! I can’t write (fiction) except at my computer in my writing room!

On his 2005 book tour for Feast for Crows, GRRM spoke of how some writers can pull out a laptop and write anywhere—hotel rooms, airports, cafĂ©s etc.—but he’s not like that. He must be in his room at home, at his (then) clunky old rig, if he hopes to get anything accomplished.

I got it then and I’ve confirmed it now.

Back at work, with momentum on the Calista/Darius story, I took myself to lunch and brought my notebook along, intending to scribble the next scene or some dialogue—anything to keep the mojo going until my first weeknight writing session on Tuesday.

I was halfway through the best salad in town (Zazu cafĂ©’s house special, no onions) before I gave up on grasping anything useful for the story. Seems I can write posts or the occasional exercise during a break from the office, but anything on a work in progress? Can’t do it.

The cafĂ© wasn’t busy. I had the entire loft to myself. Adele’s “Someone Like You” was playing on the stereo and she inspires me, so that was no deterrent. I had given myself permission to write loosely by hand, knowing I could polish the product later.

So what gives?

I can only surmise that the one safe place where I can lower my guard and channel the characters is in my room at home, at my clunky old rig.

There’s nothing wrong with this, of course. My hero admits to a similar dysfunction—but is it a dysfunction? Or is it a function of creativity that we must feel safe in isolation before we can open ourselves to the Muse? You’d think with a medium so portable that I could rough out entire scenes over lunch, but no. No, no, no. More than mobility, I obviously need a place where I can forget myself and silence my survival mechanism before I disappear into fiction.

Hey, like the kid in the Calvin and Hobbes comic strip once said, “Be careful, or be road kill.”

Tuesday 9 September 2014

Ra



One morning last week, I went across the street and sat at the beach while the sun came up. I wanted to witness the first warming spark as it breached the horizon. Not through my window or my camera, with no company; just Ru and Ra. The sky was brushed with pink cotton clouds, the ocean cloaked in a pale gold mist. The sky was robin’s egg blue near the water, then changed higher up to something brighter and brassier yet richer and deeper at the same time. Amazing. I placed myself directly in line with the spot where I figured the initial ray would appear, a step down on the breakwater, regrettably not far enough to avoid the “pound pound pound, huff huff huff”, but far enough that it wouldn’t matter once the show started. Then, I waited. Watched. Listened. Marvelled.

A gang of crows were hanging out on the rocks below me. As the eastern halo intensified, one of the crows erupted into “caw caw caw” and the whole flock took wing, buzzing so close to my head that I heard the wind whuffing through their feathers. They landed on the rail that runs along Dallas Road; the ringleader cawed again, and they all turned toward the sun. I was so fascinated by their behaviour that I almost forgot to turn myself. The gulls were doing something similar down in the water, gathering to greet the new day.

The light changed again, the golden halo shrinking and glowing harder, fiercer. The water was still, the birds quiet. No joggers, go figure. Then the first tiny gleam, bright minted gold, peered over the silhouetted houses on the far side of the bay. One single spark—then two, as the shape of a house split the atom; then three as the earth tipped a little further and the topmost arc of the corona rose above the shadow peak. The ocean caught fire, my retinas began to sizzle, and I glanced down to watch the fire line stretch across the water. The clouds turned white. The mist disappeared. The sky assumed a pure polished blue as the sunlight itself gradually eased from intense orange gold to sparkling silver and, finally, to blazing white.

Now, I know that the sun is actually a gargantuan rock roiling with combustible gas and belching fire. I also know that the sun doesn’t move. We do. Sunrise, sunset, and the path in between are optical illusions driven by the earth’s tilt, rotation, and orbit. Daybreak and twilight are a blend of physics and perception. Sometimes I feel as if I am made from the same blend. Someone once told me that I am the calmest person she knows. I was gobsmacked—and oddly touched that she would perceive my energy the way we perceive the sun’s: as a warm and nourishing presence.

I suppose I could laugh it off (I actually think I did), but deep down, her observation stayed with me. So when I watched the sun rise serenely over the ocean that day last week, I remembered what she said … and that it’s a good idea not to get too close.

There’s nothing serene about a billion degree burn.

Sunday 7 September 2014

Last of the Summer Whine


Back to work tomorrow. I’m not ready. The pace, the paperwork, the people – I like my job and I like the people I work with, but during the past fortnight my life has settled into its own rhythm and it has been heavenly.

Though I’m trying to be reasonable about it, my inner two-year-old is stiff as a board and screaming. I took her on a long beach flânerie this morning, keeping as close to the water as possible to avoid the “pound pound pound, huff huff huff” of the ubiquitous joggers. Good that the tide was out; regrettable that the beach is rocky and tipped at an angle that makes walking more difficult. Every step required presence of mind, which I guess was a positive given that it kept me focused on the moment rather than dwelling on my resistance to the inevitable. When I got home, Ter reflected my feelings with her own, then suggested we enjoy our day rather than waste it fretting about tomorrow.

And tomorrow and tomorrow.

The Calista/Darius story got serious traction during the past couple of days. I’m at the two-thirds point where I finally foresee an ending though I’m yet unsure how it will look for Calista when I get there. I also took another look at the urban vampire series I’d started BL (before Lucius); the character sketch of Rob Browning was taken from it and now I’m contemplating how to rework the whole story because it won’t farkin’ let me go. Rob and Cassie are the star-crossed lovers and Darius is the bad guy. The universal plot portent, I know. I recently watched an interview with George RR Martin wherein he quoted Faulkner’s reminder that the human heart in all its conflict is what makes a story. Whether it is set in the wild west, outer space, 17th century France or the Amazon jungle, the characters make it real … even if one is a vampire.

Saturday 6 September 2014

Saltspring Swag


I went with a mission: to find matching earrings for my chakra pendant. Mission accomplished—twice! I also found a silk scarf to accent my new faux leather (you don’t dare wear real leather to Saltspring Island) jacket. Looks like burgundy figures in my winter wardrobe palette this year.

With nothing much else to attract us in the little town of Ganges, Ter and I shopped. The earrings were my prime directive and neither of us was confident enough to stray off the beaten path on our first visit. It was a lot like driving the Saanich Peninsula or north of the Malahat. Silly me. If you squish Vancouver Island and all the Gulf Islands together, you’ll get one big rainforest island. The native flora doesn’t change from rock to rock. Only the fauna does, and the vibe we got from the locals was pleasant enough but I live in a tourist town. I know what the natives think when a stranger shows up in September, and we were most definitely strangers.

The ferry trip was fun; pausing for breakfast was delicious (doesn’t look it, but my toast was GF!); poking around the shops was fruitful, though I wish I’d pulled out the Canon at Black Sheep Books, a shop plucked straight out of Diagon Alley in the Harry Potter stories. Didn’t buy anything, but there is no better place to hang out anywhere than a vintage book store.

Best of all, on returning home, we agreed that Vancouver is too big, Ganges is too small, and that makes Victoria juuuuuust right!

For now.

The trip in pictures:

Ter and Tig in lane 31

the boat we're on
the boat we're usually on
the boat I'd have liked to be on
a perfect day to be on any boat
the wee kirk on the water
pulling in to Fulford Harbour
brekkie at ...

the Tree House proprietor
a tight fit through the front door
the view gets no better than this

Tuesday 2 September 2014

So Loved

this was today's entry on Ter's desk calendar - the perfect sentiment!

I woke up that way this morning. Actually, I wake up that way every morning, but I don’t always feel it as acutely as I do on my birthday.

The dreaded Tuesday birthday—also the first day of school when I was a kid, now a vacation day ’cause I’m a grown up and can do what I want. Ter has dropped me in the village for an Asian Mist followed by a flânerie in the rain. It’s rare for September 2 to be anything other than an invigorating mix of crisp and sunny, but this year it’s grey and showery. We had planned a birthday visit to Saltspring Island, but have postponed the trip to tomorrow, when the weather is expected to be better. She’s out spiffing up the Tiguan while I spend the day being loved. An afternoon nap and a teatime birthday bag await. I dunno if I’ll write anything other than this post; I’m still on vacation but am not concerned if I don’t finish one of the three, count ’em three, stories currently in progress. I’ve let go. I write whatever wants to be written and trust it’ll work out in the end. If it doesn’t, that’s what editing is for. If I start to get frustrated with one thing, I switch to something else. Time you enjoy wasting is not wasted time.

But back to being loved. Today I give myself permission to accept it—from Ter, from friends and family, from the universe, and from myself. Worthiness is irrelevant. Love does not judge. Love does not dole itself out by measures of merit. Love does what it does because it can. We’re the ones who put conditions on it, but in truth, it’s always there. All we have to do is accept it.

For one day a year, I do.

But I love everyone else always.