Ru, wee sis, Boy Sis, and the matching purses (the pic is as fuzzy as our hearing) |
I suppose it may be gleaned from yesterday’s review
that I didn’t enjoy myself at Def Leppard. That the gig was too loud, too
garish, and too predictable.
Actually, that was the audience.
The flipside of a rock concert is the crowd. It
matters not who is on stage; the same players are always in the stands. The
flailing dancer in the seat next to you. The staggering drunk in perilous heels
trying to navigate the stairs. The bombed macho buddies who throw their arms
around each other while bellowing, “I love you, man!” in the row ahead of you.
The parade of trailer trash fashion on the concourse. The cigarette lighters
that spark in the arena when yours was confiscated at the door. The beer
balancing act as the alcohol max is purchased on the first concession stop. The
inevitable cloud of pot smoke wafting from the seat behind you. The giggling
groupies. Their biker boyfriends. The twentysomethings who don’t care who’s
playing, let’s get tickets and go embarrass ourselves while annoying the real
fans during the show.
It is possible to be fed up before the band takes the
stage. In some cases, it may even be probable.
Most of the concerts I’ve attended in the past couple
of years have had no opening act. The artist starts on time, takes a brief
intermission halfway through, then finishes the show. Alas, Def Leppard adheres
to the template of hiring an opening act that no one wants to see, then coming
onstage at bedtime and blasting through the standard hour-plus set that
includes a two-song encore. This makes for a true test of endurance, so it’s
better to have a friend along for the ride.
Ter and I lucked out on Friday. My wee sister and Boy
Sister met us for dinner early, then headed to the arena well in advance of the
show to ensure that we got parking (a quick getaway is impossible, but a smooth
exit isn’t, if you get there in time to nab the best space). That left us with
a couple—nay, a few—hours to kill, as we had no interest in the opening act and
were unwilling to risk our hearing for anything less than the headliner.
Regrettably, Victoria shuts down at six on a Friday
night, hence no shops of interest were open. So we trekked to the arena and
hung around outside, enjoying the mild spring evening and watching the
streaming humanity form a line at the door. People-watching with my sister is a
riot. BS is even funnier with his observations, but nothing was more
entertaining than the people we were watching. Lots of leopard spots in
evidence, in tights, shoes, jackets, shirts, scarves and purses. Ridiculous
heels trip-trapped across the pavement. Big blonde hair was snaring bugs
everywhere. Dark glasses were firmly in place despite the twilight. Tall boots,
short boots, and why in the world would a girl wear kitten-heeled mules in a
milling crowd of inebriated headbangers? She wasn’t going anywhere fast, not
when she had to clench her toes to keep her shoes on. Mundane jeans and
sneakers were peppered with sequins, studs and chains. BS asked Ter and me if
we hadn’t dressed that way in the 80s? To which I replied, “We were Miami
Vice cool, not Madonna tramp trash.” Heck, we weren’t even Lep fans until Hysteria
came out, and by then Vice was done and Madonna had brushed her hair.
The four of us sat on the fringe of this crowd because
we did not belong in this crowd. The notion occurred to me that this was the
modern day equivalent of going to the opera, when the aristos of old dressed up
to attend the theatre. Too scary a thought to maintain, however. This was more
like the Roman mob filing into the Coliseum to watch grown men beat each other
to a bloody death.
And we were here, why?
Oh, yeah. The Leppard King. Well, he wasn’t due for a
couple of hours yet. With roughly half an hour until the opener, we joined the
lineup and got through security with the merest pat-down and bag search.
Checked out our seats in the stands. Four in a row of eight, second row up in
the bowl, with one of us on the aisle. Sweet. Wee sis and I sat together for a
while, comparing the length of our femurs (hers is longer) and me showing her
how to shorten the strap on her purse—which, we had discovered at dinner, is
the exact twin of mine. She’d been trying the trick she uses on a horse’s
halter (her daughter has a horse) and remarked, “Horses are my life, Ruthie.”
“That’s weird,” I replied, “since I
was the one who wanted horses.”
“You wanted kids, too,” she reminded
me.
“So how did you end up living my
life?”
“I dunno, but now I’ve even got the
arthritis!”
At which we both fell about laughing.
To avoid the opening act—which we would hear well
enough from the concourse—we retraced our steps to check out the merchandise.
Once again, the Leps have no program, which is the only thing we would have
bought. I was wearing the hoodie I got at the Edmonton gig in 2007 (75 bucks at
the show, 35 online, to which wee sis observed, “Yeah, but you got a free
concert.”) and if we bought a t-shirt at every Lep concert we’ve been to,
that’s all we’d be wearing.
Time for water and popcorn. Ter and BS vanished into
the concession swarm; wee sis and I hung out by a pillar to keep clear of the
current and continue to people-watch. She says she can’t do it with her
daughter because my niece gets embarrassed. “Are you two in the lineup?”
somebody asked.
“No,” sis said, waving them on by, “we’re just holding
up the pillar.”
We hadn’t noticed it was the pillar behind the line
for alcohol service. We’d just thought everyone wanted pizza.
Finally, our elves emerged with the goods and we took
up position just inside the main entrance, where security continued to pat down
newcomers though the opening act was by now well into their set. More big hair.
More leopard print. More leather jackets. Gads, even a pair of fishnets in red
hotpants. Stiletto pumps, stiletto boots, stiletto sandals. Canuck jerseys in abundance.
Canuck jerseys? Well, the playoffs are on, and one of those jerseys gave
me the best laugh of the night: an old Luongo sweater with the name taped over,
inscribed with LACK (for Eddie Lack, the now-goalie) and the numeral 1 preceded
by a handmade 3.
At last, the first act ends, the lights come up, what
audience was present for them returns to fuel up with more booze, and we make
our way to our most excellent seats. Some dickering with our phone cameras so
we can get them to work during the concert. Then, the show, complete with the
surrounding distractions as mentioned at the top of this post. I had a blast
anyway, situated between Ter on the aisle and BS on my right (wee sis took the
flailing neighbour for the team), and by the end of it, we were done. Not a
perfect evening, as BS said later, but how can it be bad when it’s spent with
people you love?
Amen, brother.
You know, a lot of the time my concert experiences are make or break depending on who surrounds me. I often find myself in close proximity to the dregs of society, the sloppy drunks, potheads screaming bouncy boobies or people too busy with their phone in the air to be in the moment and see the show live instead of through a postage stamp screen. You drove the most important point home though, it's never ::that:: bad when your people are with you and sometimes it can add some interesting colour to the experience.
ReplyDeleteI spent too much time looking through my phone, it's a new toy and it wasn't snatched at the door like a "real" camera would have been. Pre-cell phone days, I'd stuff a disposable camera into my t-shirt and whip it out once the lights went down. We called it "the boob cam". The photos turned out about the same, and some shots were even better. Got a dandy of Sav in Vancouver 2007, right before he saw me smooch air at him and flashed his killerwatt grin in response. Yeah, so the grin is etched in my mind, not on film, but I've got the shot that led up to the memory!
DeleteIt's like giving birth. May be painful at the time, but all the memories are good!
ReplyDeleteBWAHAHAHAHAHA! Having never given birth, I'll have to take your word for it, kid. Think I'll stick with rock 'n' roll, too!
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