My music collection has been pared back a few times
over the years, but staples remain firmly in place. Duran and Def Leppard, Alan
Parsons and David Usher, Sarah McLachlan and Sting figure prominently in that
I’ll buy anything and everything they put on the market—sometimes more than
once. While de-cluttering for our first residential move in seventeen years,
Ter and I discovered no fewer than four cassette tapes of Seven and the
Ragged Tiger; a true puzzlement considering that we owned no more than two
cassette players in 1987. I’ve grown up a little since then. When the
re-mastered special edition was released a few years ago, I sent my original CD
of the same album to the used disc shop because, pfft, who needs two?
I recall an interview wherein the father of my unborn
children discussed his album collection. Of course he doesn’t listen to
everything every day; with any extensive collection, who has the time? But once
in a while, he pulls out vintage Bowie or Roxy, gives the LP a spin, then puts
it back in the cellar to be enjoyed, like a fine wine, a few more years down
the road.
I went on an Alan Parsons bender last year. I just lay
on the couch and remembered why I love the Project’s work so much. More
recently, the Leppards were trotted out to prep for their tour and, boy, was it
fun rocking out to X and Yeah! With Paper Gods due for
release in September, Duran is resurfacing on my playlist to reacquaint me with
their more recent work (Astronaut is truly brilliant, and not just
because it features the Original Five). And, for some reason, last week I began
looping my favourite track of Sheryl Crow’s extensive catalogue, so I pulled
her CDs on Sunday to remind myself why I liked her so much back in the day.
Actually, it’s a bit of a mystery because she borders
on country with her syrupy drawl and penchant for steel guitar, but I bought
her first album in 1993 and didn’t stop until Detours in 2008. She
played Victoria on that tour; by then she had enough ammo to play a greatest
hits set, so of course I went to see her. Great show, lame crowd. I couldn’t
tell if I was in an audience or an oil painting. Oddly, I can’t remember if she
played The Difficult Kind; I think she did, but nothing beats the album
version off The Globe Sessions … currently in heavy rotation on my
turntable. This live version got good reviews, though, so please ...
Enjoy.
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