He turned 73 on March 27. My first screen love. My
only love, really. I’ve had brief infatuations and short term affairs over the
past forty years, but he has been my one and only movie star, my enduring
romance, my sentimental favourite.
Who knows why? Because I was fourteen when he played
D’Artagnan. Because I was newly in pain and looking to escape. Because I loved
a good story and he was the passionate if inept hero of a dandy. I wanted to
write my own swashbuckler and The Four Musketeers got me started—but
he’s played more than one character. He was busy in the 70s, too, playing
everything from Shakespeare to science fiction, sometimes a bit of a miscast
and other times a perfect fit, but always blond, handsome, and gifted with that
golden syrup voice.
I could listen to him speak forever.
It was during something like the sixth or seventh
viewing, in the scene where D’Artagnan finds Constance dead and sets out to
avenge her, when all the requisite factors combined to awaken the giant. He was
the catalyst that kicked my imagination into gear and started me writing in
earnest. I wrote about heroes who looked just like him, but I started reading,
too. Dumas and the Bard, and George Clayton Johnson—if his film was based on a
book, I read the book as well. I saw every movie, staying up late on weekends
to catch his earlier work in The Strange Affair and Something for
Everyone on TV (the days before video tapes and DVDs). I went to the
university for the Franco Zeffirelli double-header of The Taming of the
Shrew with Romeo and Juliet. I kept a scrapbook of promo pics and
articles and “seen around Hollywood” snapshots. I guess I was a little obsessed
with him, with the movies, with the stories, with the fantasies of all three
combining to ignite my true passion for the written word.
It was a magical time of intense contrast. Every day
was a fight to get mobile, of physio treatments and medical appointments, but
every day was also a revelation of new ideas, of literary discovery and
expanding imagination. It was truly the best of times and the worst of times,
and Michael York was in the middle of it.
I did all the stupid teenaged stuff, but four decades
later, despite the aforementioned flings and affairs and rock stars
notwithstanding, my heart yet leaps when I hear his voice or see his face. It’s
more than the remnant of a schoolgirl crush. It is a comfy blend of respect,
admiration and gratitude.
It is also—definitely—love.
Is it bad that I mostly remember him from Austin Powers?
ReplyDelete::awaits flogging::
That's exactly what her oldest nephew said at the little book party we had at our place for friends and family when Treason was launched all those years ago. I had painted a pastel portrait of Michael York for her in 1983 and it was hanging on the wall in our hallway at the time. Scott said, and I paraphrase..."Hey, isn't that the guy who plays Basil Exposition?" You are really in for it now NIc. LOL!
ReplyDeleteAwright, you two comedians, here's where I take the high road and say how proud I am that you (and my nephew, for that matter) at least know something of the man's work! It speaks to his longevity that he's acted for decades, so *pthbt*
DeleteSheesh.