Monday, 30 June 2014

Auto Bio XII

“My Other Car is a Jaguar”


Tiggy was back in the shop two weeks ago—he’d started idling rough and after a few days employed a visual aid to shift our attention to action. Ter came home on Sunday with the announcement that my first Monday after vacation had just gotten interesting: the “check engine” light had come on.

Crap. What fresh new hell is this, Tiguan?

We arranged to have me drive him in and Ter took the limo to her office. Turned out to be little of nothing—some carbon buildup on the spark plugs was giving him hiccups, so the techs cleaned off the plugs, sold me a bottle of fuel tank cleaner, and reminded me (shame, shame) to give him supreme instead of regular unleaded gasoline. A small cost at the end of an anxious day, but I like to threaten my loved ones with their expendability.

Poking along in rush hour traffic, we approached the Jaguar dealership that dwarfs the VW shop half a block down the street. I gave him a tap on the dashboard and pointed. “See that red F-type, Tiguan? Take a good hard look and be grateful that I don’t turn you in right now.”

Hey, he doesn’t need to know that one Jag will cost three of him.

* * *

A few days later, I happened on this article. A rave review of the F-type coupe so well-written than it’s practically poetry. Sure had me salivating … until I got to the one flaw in the big cat’s form. Apparently the ergonomics aren’t that great. How disappointing. Is it enough to stop me from salivating? Nah. In my dream, the car is comfier than an old shoe.

Saturday, 28 June 2014

“The King’s Man” (Part I)


Fog rose in clouds from the frozen ground and hung there, shimmering, in the weak winter sun. Andrei’s wife tore through it at a reckless pace, shredding it to ribbons with her mount’s iron-shod hooves. Neither joy nor laughter trailed in her wake. She had simply bolted, or her horse had. Either way, she was in danger of harming herself and that could not be allowed.
Viktor spurred his own horse into the sparkling swirl behind her. The fog closed over him like an icy shroud, stealing his breath before he could draw it. He called for her—“My queen!”—and the dulled notes of his voice alerted him to silence where there should have been a drumbeat gallop floating up ahead. His stallion fought the bit as he drew rein too sharply, but as the surly beast settled beneath him, he strained for a sound he desperately hoped not to hear.
There was nothing. Then there was a muted scuffle and the unmistakable whinny of a startled horse, and Zultan reared as a phantom grey mare charged past him with her stirrups flapping wildly against her flanks. Viktor was out of the saddle and running while his horse was still poised on its hocks. He plunged into the fog with his pistol half-drawn, roaring her name to let would-be ruffians know their game was lost before it began.
The fog thinned toward the wood. Viktor found her standing near a cluster of birches, her white fur and dark hair blending almost perfectly into the bark so that he might have missed her had he not been looking. He stopped short, skidding slightly in the snow, and rapidly assessed the scene.
She was utterly alone. He spied no fleeing cloaks, heard no thundering retreat. Andrei’s wife stood calmly in the crystal mist with frost jewelling on the tips of her fur collar. Viktor felt his breath die in his throat. She had always been beautiful, but grief had given her a fragile translucence that elevated her beauty to something ethereal. Viktor stared, caught himself, dropped to one knee, bowed his head to deny himself the vision. “My queen, are you hurt?”
“I’ve lost my horse,” she replied.
More than that, she had lost her husband, and in an entire year spent mourning, she had said not a word to him though they had spoken almost daily. He heard it now in her voice, the weight of loss and sorrow creating a similar effect to her tone as to her beauty. He could avert his gaze, but not his ears. In the muffling fog, sound took on sensation and became a soft caress. Viktor raised his head and let himself absorb her. Sable hair and velvet eyes, slender bones and eloquent grace. She was, and always would be, his icon.
“You called my name,” she said.
“I beg your forgiveness, my queen.”
She smiled. The icy mist insulated them from the real world and placed them in another time and place, a momentary world with no history and no future. Viktor stayed on one knee as Andrei’s wife approached him. Her furs were pristine, her cloak unmarred by the fall he had heard. With a start, he realized that she had not fallen at all, that she had dismounted and sent her mare flying back the way she had come. She saw the dawning in his eyes and stopped her progress. Her composure remained, but beneath the milk of her skin, she burned like a candle behind a frosted pane.
Normally immune to panicking, Viktor fought the urge to do it now. He stood instead, holstering the pistol to avoid meeting her eyes. His hands were clumsy—with cold, he presumed, lying to himself in hope of deceiving her as well, but the truth thickened in the space between them and when he finally got the damned weapon secured on his belt, he glanced up in the same instant as her fingers brushed his sleeve. They closed on his forearm, drew her in too near, and though he could have—should have—stepped back, he stayed where he was, waiting to hear the magic words.
“I loved my husband,” she said. “I wanted you.”
An eyebrow quirked. “Past tense, my queen?”
She pressed herself against him, put her lips less than a breath from his, so close than he felt a brush like falling snowflakes when she whispered, “I loved my husband. I want you.”
The growl came from somewhere so deep inside he wasn’t sure it was his. “Stacia.”
“Yes,” she murmured, her eyes turning dreamy as she sighed. For a heartbeat they hung together, trapped between their love for one man and desire for each other, then Viktor took her face in his hands and kissed her.

* * *

Andrei’s son, tricked out in full military regalia, studied himself in the full-length mirror. “Hm,” he grunted, emulating his uncle rather than his father, who had never grunted that Viktor could recall. Nikolai Andreivich Slovoyanov grunted a great deal for one so young, especially in the last year. Trying to be a man while still in the schoolroom. How well Viktor remembered Andrei at the same age, a task made easier by the resemblance in the boy before him now. Like his father, Nicky was tall and blond, with clear blue eyes and a winsome smile. Unlike his father, he was in robust health and had been so from the day of his birth.
Viktor remembered that occasion, too. “I have a son!” Andrei had crowed, flushed with pride and astonishment. “Imagine, Viktor, I have a boy, an heir to my throne and all of my Empire! My queen, my Nastacia, she has made me immortal!”
It had been difficult to set aside a lifetime of dread to share in the Tsar’s unbridled joy. Such purity had been Andrei’s gift, an irony given that his was the death feared by everyone else. He had been preserved through childhood, married to a princess, and made Tsar of all Russia by his fifteenth birthday. Fatherhood had come soon after, well in advance of a normal boy’s life plan, yet he had seized every moment and wrung it for all he was worth.
“Your father would be proud,” Viktor said, forcing himself back to the present.
Nikolai frowned at his reflection. “I wish he was here. Then I wouldn’t have to be on parade before every ambassador with a princess for sale.”
“Remember, my king, you are the buyer.”
Nicky snorted—something else his father had rarely done. His grandfather, on the other hand …
“Are you still in here? You’ll never get laid if you don’t come out of your room.”
“I doubt that’s entirely true, Uncle.” The boy spoke plainly, but his ears turned red enough to crisp. He appeared mildly discomfited by the chummy clap to his shoulder and tried not to duck his head as Andrei’s brother turned him about for inspection.
“You’re too handsome to be my nephew,” Grand Duke Yuri proclaimed. He grinned and applied a second hearty clap. “You could be my son.”
Nikolai tensed in his uncle’s hands. Viktor let himself take shape from the shadows where he had retreated on Yuri’s arrival. “Your Grace,” he said, politely but with an edge.
Yuri answered in kind. “Malokov. Still here, I see.”
“As my king commands, Your Grace.”
“It seems to me that your king was my brother and since he is gone, I don’t understand your purpose here. Perhaps you might explain it to me.”
Nicky nervously intervened. “Uncle, you know that I asked him to stay.”
“Do you know what he was before you were born?”
The boy clung resolutely to his station. “He was Papa’s friend. That makes him my friend. Is there something I can do for you, Uncle Yuri?”
The grand duke removed his hands from the young Tsar’s shoulders, keeping them aloft as he stepped back a pace. “Not at all, my king. I came to advise that your mother awaits her escort to the assembly. She has asked for you.”
Which meant that he had come from Stacia’s apartment. Viktor kept his muscles soft but casually laid his hand on the dress sword hung at his hip. Nikolai scouted for his hat, anxious that his mother not be kept waiting. Finding it abandoned on a chair cushion, he snatched it up and stuffed it beneath his arm. Head tipped high and spurs jingling, he walked to the door, then pivoted to face the room once more. Viktor’s heart plumped with affection at the desperate plea in the boy’s eyes. Of no one in particular, Nicky asked, “Must I marry one of them?”
“You can’t marry them all,” Yuri replied.
“What if I don’t like any of them?” And, silently, What if none of them like me?
“Then we’ll do this until we find one that suits.”
“Viktor?”
“It’s a ballroom, my king, not a stockyard. Try to enjoy yourself.”
“And stop crushing the life from your hat,” Yuri added, striding forward to rescue the flattened headpiece. Nicky let him take it, frowning slightly as he watched it reform in his uncle’s expert hands. Yuri was the glamorous one, always immaculately groomed in tailored coats and polished boots. He had taken similar pains with Andrei, sparing the Tsar unfavourable comparison by ensuring that both royal brothers cut fashionable figures in formal company. Even his mourning clothes had been stylish. Stacia had initially been more dazzled by him, an advantage that he likely intended to press now that his competition was no more. Yuri was a natural charmer, and Viktor might have been concerned had his lips not yet tingled from the memory of Stacia’s kiss.
He watched her son suffer the grand duke’s fussing with less than his father’s inherent good nature, and wondered himself why he was still at court.

to be continued …

Friday, 27 June 2014

“The King’s Man” (Preface)


The story starting tomorrow was written during my vacation a couple of weeks ago—since I wrote about its evolution over four days, it’s only fair to give it air time now that it’s finished.

It’s set in Imperial Russia, but the characters and the royal family name are absolutely fictitious. Historic accuracy is becoming an oxymoron as modern day writers seek to create something new where everything has been done. I wasn’t trying to be historically accurate here, because the story isn’t about Russian history. It’s about people. Not vampires, not angels, not warrior magicians. People. Okay, rich people (mostly), but fragile mortals all the same. I’ve kept the working title despite using the word “Tsar” in the text; the same goes for Viktor’s position within the family. He is very much the King’s Man.

I can overwork a piece to death and I want this one to remain as fresh and raw as it was written. It’s a tale of love, loss, and loyalty. None of those virtues need much airbrushing.

Enjoy.

Thursday, 26 June 2014

Kid Sister


It’s my first day at work after vacation. I’ve just stepped from the car to the curb when I am hailed from across the street:

Ruthie!”

Standing in a patch of early morning sun outside the coffee shop is a grown woman carrying a cup of caffeine in one hand and waving at me with the other. Superimposed over this image is the memory of a six-year-old girl in a cardie and pink gingham at the far end of the school corridor. I immediately wave back at her.

“Hi, kid!”

“Have a good day!” she calls, and heads off to start hers.

My wee sis and I are two years apart, but I think of her as my twin—probably ’cause we were raised together and the Big Guys were a trio. Aside from sharing parents, siblings, and a family resemblance, though, we’re not a whole lot alike. Our differences complement each other—hence the twin analogy—but if we’d met as adults, I doubt we’d be as close as we are.

I see her once a week, on Thursdays for coffee on the wall, and we talk about adult things like work and home and credit lines and arthritic flares and cars and kids, sometimes about books or movies, but mostly it’s just hanging out for half an hour in familiar company. Boy Sister, who doubles as her elf, usually joins us, staying behind for Philosophy Quest after she goes back to work. (He and I are lucky: we can steal a few extra minutes because no one is looking. She’s not so fortunate.)

One day after she’d emptied her coffee cup and spent our break in a mutual dissection of all that was grey in our world, she gave me a hug and trudged away, back to the mill. I watched her go, smiling when her voice floated over her shoulder toward me.

“Love ya, sissy!”

I sat for a sec, then said to BS: “Those are the best words a big sister can hear.”

Love you too, wee ’un.

Wednesday, 25 June 2014

Carpe Diem F/U


Yeeeeaaahhhh … speaking as my own lab rat, that neutral space between sleeping and waking has proven more elusive on workdays. The alarm has woken me every day this week, firing me straight into a mood that gets momentum before I realize I’m caught in it. And stopping that momentum is like grabbing a handful of smoke. It’s really hard.

It would be easier—or unnecessary—if I was doing what I love on a daily basis. Following one’s bliss tends to make for a cheery awakening, not to mention negating the need for an alarm clock. And work has been particularly stressful for a bunch of reasons, none of which warrant attention here. I’m through the worst of it with a five-day weekend on the horizon—including the Heart “tribute to Led Zeppelin” concert on Sunday night, woo hoo—so the point of this post is mostly to demonstrate that each philosophy I try to embrace can (and often will) slip like a greased porker from my grasp. However, I do not give up. The reset button on that neutral space is better pressed first thing in the morning, but it’s not about maintaining the positive vibe from dawn ’til dusk. It’s about maintaining it for as long as you can. Be it a day, half a day, or an hour, every positive thought you can think does more good in the world than you imagine. Momentum is merely a bonus.

So, if you can’t carpe the diem, try carping the momento. It’s worth every breath until it’s gone, and the beauty is, you can always start over in the morning.

Tuesday, 24 June 2014

The Flâneur Society’s Guide to Getting Lost


Wear comfortable shoes.

Remember your house keys.

Bring your limo pass in case you wander so far afield that you’d welcome a ride home.

Put a fiver in your pocket so you can buy a drink should you find yourself near a café.

Have no direction in mind.

Give yourself no time limit.

Start walking.

How easy is that?

Monday, 23 June 2014

Carpe Diem


There is a brief space between sleeping and waking when you are neither your dreams nor your thoughts. You are yourself. The space is neutral, utterly devoid of memory or anticipation, and if you recognize that space, you can use it to set the tone for your day.

In that neutral space, before you remember the fight you had with your spouse or the stupid staff meeting you must attend at 2:00 p.m., you can gain a foothold in the mood of your choice:

“I will fill my day with (insert here).”

Think it. Say it. The sentiment is energy, and energy attracts like energy. If you can sustain a thought for 17 seconds, it will attract a similar, more detailed thought. Sustain that thought for another 17 seconds, and a third, even more powerful step is taken toward managing the day. Positive breeds positive, negative breeds negative. Pick one and watch the blooming result. You don’t wake up in a mood; you wake up and remember something that ignites your mood.

It doesn’t have to be that way.

When I first heard of this “neutral space”, I decided to look for it myself. My first attempt was pretty successful: I opened my eyes, saw the space and promptly filled it with, “I will fill my day with joy and love.” Then I fell back asleep and dreamed of puppies.

Okay, starting while on vacation made it easier to choose joy and creativity over resentment and dissatisfaction, and I admit that I went down in flames on returning to work, but I scored some momentum during my time off. Granted, being awakened by the alarm sends me straight to the swear jar; however, I have learned to catch myself before the downslide gets perpendicular. I tell myself, “Whoa, stop!” That kills the momentum so I can regain control of my thoughts. I’m teaching myself to start each day with “I will fill my day with …” It’s still easier on weekends, but I’m gaining some momentum for the workweek.

So you had a fight with your spouse. That stupid staff meeting will go ahead. How you decide to resolve the inevitable is up to you, but truly, why would anyone knowingly choose to be in a bad mood? It only makes life harder, and life happens anyway.

Friday, 20 June 2014

Man of the Hour

Who loves ya, baby?
Not sure which hour, precisely, though my faulty memory seems to recall a teen magazine reporting that he was born around 6:30 in the morning of June 20, 1960. By the time he reads this (as if), he’ll officially be 54 years old ... and still ticking. Still hot, still inspiring, still gorgeous, still my muse, still the god of my idolatry.

He was not, however, my first. That dubious honour falls on David Cassidy when I was ten, who was succeeded four years later by Michael York, who reigned supreme until that fateful day in 1985 when Ter spied JT’s face on the cover of Star Hits magazine.

Yeah, the bass god has pretty well wrecked me. Though I dabble with other lookers, I always come back to him.

I owe him an ode, but after a crazy workweek, words have finally failed me.

Happy birthday, handsome.

Sunday, 15 June 2014

Pitter Pater


Back in my religious days, I recall sitting in church one Mother’s Day, holding my dad’s hand and listening to the speakers—all male—wax rhapsodic about the gloried sanctity of the women who had raised them to be the supernal specimens of righteous nobility they had become. The most memorable facet of the entire service was my anticipation of what the female speakers would have to say on Father’s Day the following month. Naturally, it made sense to me that, since the boys had been asked to talk of motherhood, the girls would be asked talk of fatherhood. I even dared to hope that I might be invited to speak about my father, and promptly began to construct my dream speech.

Well, I wasn’t asked. No daughters were. Imagine my disappointment when, on Father’s Day, the service began, we sang our hymns and said our prayers, and the first speaker stepped up to the podium. A man. Excuse me, a priesthood holder, who promptly launched into waxing rhapsodic about the gloried sanctity of the man who had raised him to be blah blah blah.

I was so mad that I’ve remembered the slight to this day.

This day being Father’s Day, I’d like to present the speech that I was not invited to give all those years ago, which I would do if I could remember any of it. A lot of time has passed since then, and my relationship with my father has adapted accordingly. A few things between us have remained unchanged, which means they must be true.

My dad is a good guy. He struggles, and has struggled, more than he’s let on over the course of my life, but I have never doubted that he loves me, wants the best for me, wants the best from me, and has been no less demanding on himself. He tells me that I once told him as a father he was great, but as a husband, not so much. Naturally, I don’t remember that conversation and it’s hardly my call anyway, but when I got in where I shouldn’t have gone, I managed to get out with a deeper understanding of life, love, and the complexities of adulthood. That’s the cool thing about my dad. I can talk to him about adulthood. I try not to, being compelled to prove myself a competent player in the game of life, but when he catches me unaware, we have the best discussions.

I learned from him to answer honestly when he asked me what I was thinking. Those drives home from work were invaluable moments to expand on our thoughts, hopes, dreams, fears, you name it, we probably talked about it. True, I did most of the talking. He listened and asked questions that encouraged me think more. He dispensed advice, some good, and some that I later regretted ignoring. And some that just plain didn’t work for me—and that turned out to be okay, because as cool as my dad is, he’s not perfect. He’ll be the first to tell you so.

He’ll also be wrong. My father is as perfect as he can be, and that’s how this daughter likes it.

Happy Father’s Day.

With love,

Friday, 13 June 2014

The Edge of the World


There’s nothing beyond the lone outpost marking the edge of the world.
That’s what we think.
It’s what they think, as well—the people on the other side of the edge of the world.

* * *

Ter dropped me in the village this morning so I could return “Passengers” to the DVD shop and get my walk in early. The movie was a welcome break from fighting through the headache yesterday, and it wasn’t too taxing on the intellect, either. Once I got past the size of Anne Hathaway’s eyes, it kept me interested, curious, and whether I was dulled by drugs or the writers did a truly superior job, I was not ready for the twist at the end. I’m ready for next week’s Philosophy Quest, though. Life after death, death after life, the thinning of the veil and ripples in the matrix—bring it on; I have an opinion and everyone is entitled to it.

One scene remains in “The King’s Man”—I think it’s the final, but in truth, this one has surprised me at every turn. That ballroom scene I thought would be a dandy? I barely brushed the silks in the crowd. It turned out to be less important than what happened after the ball, so a brief description of the event itself was all the story needed. The characters are reminding me, it’s about them. Not me. Not painting sunsets or indulging myself in lush sensation. They’re keeping me honest. Focused. I’m thrilled about it, really. When I go back to work on Monday, I’ll be able to say that I actually wrote a complete story, not “almost finished” one as usual.

But that’s three days from now. There’s a lot left to cram into those three days so I’d better get started. Oh, wait. I have started … with this post!

Thursday, 12 June 2014

Uff Da


Ter and I went to see the Vikings exhibit at the museum on Monday. Aside from being ĂĽber-cool in general, the set up was clustered into themes rather than running a chronological sequence—describing how they operated in society, religion, war, shipbuilding, etc. I’m no sailor, but from an engineering perspective, how they accomplished what they accomplished on the water is as astounding as the Egyptians building the pyramids. Crossing the north Atlantic now is dangerous; packing the wife and kids into a longboat and trying to skim the surface to Newfoundland 1000 years ago … what’s the Viking word for “crazy”? We took a break halfway through to hit the IMAX, then finished up by pillaging the gift shop. Well, I didn’t buy anything, but I’m a cheap Scot, not a Viking. Ter maybe kinda halfway sorta is, as we suspect her maternal grandfather was of Swedish descent. They didn’t make 6' 5" Finns in his generation and he was a big dude. Mind you, Ter was a little girl when he died. Everyone is big to a six-year-old.

It was helpful to see the artifacts and whatnot, though, as we’ve been watching the TV series Vikings on History channel. The series is produced and written by Michael Hirst, whose fast and loose play with historical facts in the name of fiction made me immediately suspicious of what he might try to pass off as an accurate depiction of 10th century Scandinavia. Turns out he’s not that far off the mark, though the series itself makes me scratch my head because the characters are regrettably either ho-hum or out-and-out unlikeable. The main character, played by Australian Travis Fimmell, consistently has me torn between worshiping him and knocking him in the knuts—and don’t get me started on the female characters. His first wife is awesome, but why he dumped her for the second still escapes me. They had princesses in Viking times, too, and I don’t mean of the royal variety.

Today is Thorsday, named for the God of Thunder, which is eerily appropriate given the headache that’s beating a tattoo against my frontal lobe this morning. I hate when life happens on vacation. Can’t let it stop me, though—I’m on a roll with the Russians, so Tylenol is down and I’m eager to delve deeper into the unfolding tale of Viktor and the royal family. The ballroom didn’t get done yesterday; the third scene took a hard left and dumped me into an unexpected and very emotional recollection. I’m at the stage where I’m wondering where this is going and it has me mildly panicked about the purpose of the piece. After much mulling and mental wrangling, I believe I see an ending—hopefully happy, but knowing my style, probably not. Best I can foresee is bittersweet. I’m trying to keep everyone alive except for the one who, ironically, is emerging as the main character. So it appears that this story is about love, loss and healing. Nothing new in the literary world, I guess, but it’s foreign turf for me because there are no vampires and no magical powers along to give it some supernatural pizzazz. It’s all about the people. Plain, normal, fragile mortals. I really hope I can do it—do them—justice.

Wednesday, 11 June 2014

Tsarry Night


Good progress yesterday. I got the opening “crystal mist” scene done, and a second scene that has paved the way to the ballroom scene I plan to write this morning. Discovering a ballroom scene was an unexpected delight. I love to write about parties; they’re loaded with pocket dramas and now that I’m getting familiar with the characters, there’s potential for all sorts of fun and games.

A few blanks have been filled in, as well. Without offering any spoilers, Andrei’s younger brother is named Yuri. I can’t yet tell if he’s a good guy or a bad guy, but he’s a snappy dresser so maybe that’s a hint. There’s something dark about him, though it could be nothing more than sibling rivalry. If not for an accident of birth, he might have been the Tsar.

That’s another thing. The story’s working title is “The King’s Man”, but it turns out that the piece is set in a period styled after Imperial Russia. Dress swords and military braid, empire waists and lots of fur. I don’t know much about Russian history (so where is this coming from???) except that the head cheese was known as the Tsar rather than the King. I could change the title to “The Tsar’s Man”, but it doesn’t sound quite right. “Tsarry Night” sounds worse. The title stays as is for now, as telling the story is more important.

Of equal import, however, are the writerly accoutrements. My sense is that Imperial Russia calls for black tea, but I don’t drink black tea while I’m actually writing. Black tea is reserved for my afternoon break. Drat. Good thing I’ve topped up my stash of gyokuro imperial green—hey, it’s got the word “imperial” in its name, so maybe it applies after all!

I’m writing to the “Ritual” CD by cellist/composer Adam Hurst. The first track blew me right into the middle of a Russian winter, which has set the tone nicely. If I can wait out the city works truck that’s growling and banging outside my window, I’m hoping for as successful a session today as I had yesterday.

Since I’m also on vacation, I’m taking this afternoon off to stroll into the village for pistachios, “Passages” and a paleta—the pistachios are part of an energy bar that Ter asked me to get for her, “Passages” is a movie that Boy Sister asked me to view so we can discuss at our next Philosophy Quest, and paletas are simply artisan Popsicles (“paleta” is Spanish for “on a stick”) that are made in town and so freaking good that I dream about them. I can grab one at the local market and enjoy it on the walk home.

I almost always feel incredibly fortunate. Today I feel it a thousandfold. My quantum physics test is working in my favour—but that’s another post. Right now, I’d better blend up my smoothie and get to work.

From pseudo-Russia with love,

Tuesday, 10 June 2014

Gone Writing


Viktor – the King’s Man
Andrei – the King
Stacia – Andrei’s queen
Nikolai – Andrei’s heir
? – Andrei’s younger brother
Tatiana, Susanna – Andrei’s daughters

Asian Mist – decaf lemon/ginger tea with gingerbread syrup and foamed milk. OMG! So good!

I intended on a decaf mocha when Ter dropped me in the village, this morning. Viktor is a dark, earthy character (unsure what that means yet—saturnine? Brooding? Serious? All of the above?) and the mocha seemed to fit, but ginger will always trump coffee, even coffee heavily laced with chocolate.

So. CR goes live this week as Ru pursues an exercise prompted by a generic instrumental entitled “Crystal Mist”. I liked the poetry of the words so much that I tried to imagine what a crystal mist looks like, and from there I got pictures, feelings, the sense of a story—one I’d like to write in the style of “Four Legs and a Tale”, i.e., by freestyling in the moment.

The idea struck a few weeks ago. I’ve been writing mentally while waiting, as Agatha Christie recommended, for a chair, a table, a typewriter and some peace. I’m on vacation this week with the house to myself. The planets are aligned to let me begin. All I have to do is stay out of the way … yet already I fear that putting words on the screen will dilute the strength of the vision, that my skill will reduce a potentially vibrant piece to something pale and—dare I say?—boring.

Geez, Ru. Viktor wouldn’t have chosen you if you weren’t up to the task. It’s just the usual artist’s fear of the blank canvas. All I need do is close my eyes and start transcribing. I’ve recently picked up a couple of new “be here now” tricks, so this story is a test of quantum physics as much as a creative endeavour. Not like the salvation of the world hangs in the balance; again, I’m just playin’.

I’ll keep the blog posted with my progress. Right now my job is to quit dawdling. Time to get on my horse and gallop through that crystal mist.

Friday, 6 June 2014

Spelchek


My command of the English language is pretty good for someone who didn’t attend college or university. It might even surpass that of someone who did attend college or university—based on what I’ve seen in writing from folks who have important-looking letters trailing after their names, I feel fairly confident in saying this.

My favourite comedian, the late David Brenner, claimed to be a notoriously bad speller. On being caught in a written mistake, he asked his grade school teacher how the word was correctly spelled. She said, “Look it up.” He replied, “How can I look it up if I don’t know how it’s spelled?”

Bwahahahahahahahahaha!

I spell better by hand than I do when typing. Most of my errors are committed by typo—and some of them have been beauties. Drop the “l” in “public”, for example, and you get enough shaming to be extra-diligent for the rest of your life, especially in a professional environment.

Then there’s the “US vs UK” dilemma that has resulted in my turning off the spell checker in every computer I’ve ever used. It’s hardly an act of dare-devilment, either. I know people who run the program and still make mistakes.

My eagle-eyed mother caught a spelling gaffe in a very recent post. I’ve fixed it, so if you missed it the first time, don’t go looking now. But I fear for the future of proper English as a written language. Hypocrite that I am, for I use modern spelling compared to that employed by Samuel Pepys, and his spelling would have been atrocious compared to Shakespeare’s, I cleave to the spelling I learned in elementary school. If I’m dating myself by spelling “colour” instead of “color” or “all right” instead of “alright”, then sow bee it.

Thursday, 5 June 2014

I Want to be Evil




Many Christmases ago, a couple of friends and I lip-synced to Eartha Kitt singing “Santa Baby” at a church talent show. This bit of innocent fun was rewarded with a typhoon of a scandal when the elders in the audience mistook us for high-priced call girls—we were actually pretending to be greedy little rich girls, but it’s in the mind of the beholder.

If we could stir up a bee’s nest with a silly Christmas song, imagine the damage we could have done if we’d known about this one! We’d have surely been labeled Satanists and immediately enrolled in exorcism therapy.

Ter said later that we might have avoided the uproar if we had dressed as hobos. Was I sorry? Heck, no. But I lost a lot of respect for the men who saw something that wasn’t in the sketch …

Wednesday, 4 June 2014

Chocolate Meditation


There are meditations for walking. There are meditations for driving. There are bedtime meditations, sunrise meditations, green tea meditations, cooking meditations, eating meditations, standing-in-line meditations, and even elevator meditations. There seems to be a meditation for every moment of every hour of every day, each designed to keep us focused on the present, to help us with intention and to further the quest for inner peace.

I have yet to happen on a meditation for chocolate, but I may have discovered why. Chocolate doesn’t need one. By its very nature, chocolate can stall time in its tracks.

Pop a piece of your favourite flavour and feel your cares melt away with the cocoa butter in your mouth. Inhale the sweet perfume as it rises from the back of your tongue. Lose yourself in the pure, unadulterated pleasure of becoming one with the gods who created this bliss. The real world fades into the wallpaper if the chocolate is properly enjoyed, and you emerge from the moment calmer and more serene than you were before it began.

(Breathe in) I smell heaven.
(Breathe out) I taste heaven.
(Breathe in) I feel heaven.
(Breathe out) I know heaven.

Once the clock resumes ticking, I guarantee you’ll be less stressed about it. So perhaps there’s a chocolate meditation after all.

Monday, 2 June 2014

Xscape


Fuelled by the MJ hologram at the Billboard awards, and because she’s a lifelong Jackson fan, Ter immediately went out and bought the “new” album. That was a week ago. In that time, we have both fallen to our knees at further evidence of his creative prowess, not to mention in love with the songs themselves.

Ordinarily, I cringe at albums released after an artist’s death. It’s hard to perceive such an exercise as anything other than a cash cow for the estate; a last-gasp attempt to grab what they can from desolate fans, and sometimes that’s exactly what it is.

“Xscape” is different, and not because I’ve always liked MJ’s music. The project team took part in a documentary that describes how they all came together as recording professionals, former colleagues and die hard MJ fans. They talk about their conditions for signing on, and describe in detail the remixing of the eight original songs featured on the album. The album includes the originally-recorded versions as well, as the vocals were complete at the time of MJ’s death. If he had lived, he would have been in the studio with these guys, and every song would have sounded exactly as it actually does. There are no disposable tracks on this album. Even the original recordings are exceptional—the production team have merely shot them into the stratosphere using their talents to complement the master’s. Jackson did nothing by half measures. He laid the foundation for this piece as if he planned its release in 2014. So it’s no surprise to me that everyone involved has stated quite seriously that each of them felt his presence in the studio as they worked.

This is no cheap ripoff culled from vocal fragments scattered throughout the vault. This is a real album of real songs—and sure, it could be the former and still top the charts and scoop all the awards because it’s Michael-freaking-Jackson, but when it does sweep the Grammys, I won’t be rolling my eyes in disgust. This record deserves to win.

It’s almost a clichĂ©, how creative geniuses lead such agonized personal lives yet produce phenomenal art. Granted, if you’re not an MJ fan, this won’t mean much to you, but he’s not the only tortured talent whom the world eventually destroyed. In the film The Devil’s Violinist, a dying Niccolo Paganini refuses the last rites, but when the priest admonishes that he must be prepared to face God’s grace, the dissolute violinist replies, “Let me tell you something of God’s grace. He gave me a gift, then abandoned me in a world that couldn’t understand it.”